A Little Grey Glove

1   2   3   4  

Well, ten days passed, sometimes we met at breakfast, sometimes at supper, sometimes we fished together or sat in the straggling orchard and talked; she neither avoided me nor sought me. She is the most charming mixture of child and woman I ever met. She is a dual creature. Now I never met that in a man. When she is here without getting a letter in the morning or going to town, she seems like a girl. She runs about in her grey gown and little cap and laughs, and seems to throw off all thought like an irresponsible child. She is eager to fish, or pick gooseberries and eat them daintily, or sit under the trees and talk. But when she goes to town--I notice she always goes when she gets a lawyer's letter, there is no mistaking the envelope--she comes home tired and haggard-looking, an old woman of thirty-five. I wonder why. It takes her, even with her elasticity of temperament, nearly a day to get young again. I hate her to go to town; it is extraordinary how I miss her; I can't recall, when she is absent, her saying anything very wonderful, but she converses all the time. She has a gracious way of filling the place with herself, there is an entertaining quality in her very presence. We had one rainy afternoon; she tied me some flies (I shan't use any of them); I watched the lights in her hair as she moved, it is quite golden in some places, and she has a tiny mole near her left ear and another on her left wrist. On the eleventh day she got a letter but she didn't go to town, she stayed up in her room all day; twenty times I felt inclined to send her a line, but I had no excuse. I heard the landlady say as I passed the kitchen window: 'Poor dear! I'm sorry to lose her!' Lose her? I should think not. It has come to this with me that I don't care to face any future without her; and yet I know nothing about her, not even if she is a free woman. I shall find that out the next time I see her. In the evening I catch a glimpse of her gown in the orchard, and I follow her. We sit down near the river. Her left hand is lying gloveless next to me in the grass.

'Do you think from what you have seen of me, that I would ask a question out of any mere impertinent curiosity?'

She starts. 'No, I do not!'

I take up her hand and touch the ring. 'Tell me, does this bind you to any one?'

I am conscious of a buzzing in my ears and a dancing blurr of water and sky and trees, as I wait (it seems to me an hour) for her reply. I felt the same sensation once before, when I got drawn into some rapids and had an awfully narrow shave, but of that another time.

The voice is shaking.

'I am not legally bound to anyone, at least; but why do you ask?' she looks me square in the face as she speaks, with a touch of haughtiness I never saw in her before.

Perhaps the great relief I feel, the sense of joy at knowing she is free, speaks out of my face, for hers flushes and she drops her eyes, her lips tremble. I don't look at her again, but I can see her all the same. After a while she says--

'I half intended to tell you something about myself this evening, now I must. Let us go in. I shall come down to the sitting-room after your supper.' She takes a long look at the river and the inn, as if fixing the place in her memory; it strikes me with a chill that there is a goodbye in her gaze. Her eyes rest on me a moment as they come back, there is a sad look in their grey clearness. She swings her little grey gloves in her hand as we walk back. I can hear her walking up and down overhead; how tired she will be, and how slowly the time goes. I am standing at one side of the window when she enters; she stands at the other, leaning her head against the shutter with her hands clasped before her. I can hear my own heart beating, and, I fancy, hers through the stillness. The suspense is fearful. At length she says--

'You have been a long time out of England; you don't read the papers?'

'No.' A pause. I believe my heart is beating inside my head.

'You asked me if I was a free woman. I don't pretend to misunderstand why you asked me. I am not a beautiful woman, I never was. But there must be something about me, there is in some women, "essential femininity" perhaps, that appeals to all men. What I read in your eyes I have seen in many men's before, but before God I never tried to rouse it. Today (with a sob), I can say I am free, yesterday morning I could not. Yesterday my husband gained his case and divorced me!' she closes her eyes and draws in her under-lip to stop its quivering. I want to take her in my arms, but I am afraid to.

'I did not ask you any more than if you were free!'

'No, but I am afraid you don't quite take in the meaning. I did not divorce my husband, he divorced me, he got a decree nisi; do you understand now? (she is speaking with difficulty), do you know what that implies?'

I can't stand her face any longer. I take her hands, they are icy cold, and hold them tightly.

'Yes, I know what it implies, that is, I know the legal and social conclusion to be drawn from it--if that is what you mean. But I never asked you for that information. I have nothing to do with your past. You did not exist for me before the day we met on the river. I take you from that day and I ask you to marry me.'

I feel her tremble and her hands get suddenly warm. She turns her head and looks at me long and searchingly, then she says--

'Sit down, I want to say something!'

I obey, and she comes and stands next the chair. I can't help it, I reach up my arm, but she puts it gently down.

'No, you must listen without touching me, I shall go back to the window. I don't want to influence you a bit by any personal magnetism I possess. I want you to listen--I have told you he divorced me, the co-respondent was an old friend, a friend of my childhood, of my girlhood. He died just after the first application was made, luckily for me. He would have considered my honour before my happiness. I did not defend the case, it wasn't likely--ah, if you knew all? He proved his case; given clever counsel, willing witnesses to whom you make it worth while, and no defence, divorce is always attainable even in England. But remember: I figure as an adulteress in every English-speaking paper. If you buy last week's evening papers--do you remember the day I was in town?'--I nod--'you will see a sketch of me in that day's; someone, perhaps he, must have given it; it was from an old photograph. I bought one at Victoria as I came out; it is funny (with an hysterical laugh) to buy a caricature of one's own poor face at a news-stall. Yet in spite of that I have felt glad. The point for you is that I made no defence to the world, and (with a lifting of her head) I will make no apology, no explanation, no denial to you, now nor ever. I am very desolate and your attention came very warm to me, but I don't love you. Perhaps I could learn to (with a rush of colour), for what you have said tonight, and it is because of that I tell you to weigh what this means. Later, when your care for me will grow into habit, you may chafe at my past. It is from that I would save you.'

I hold out my hands and she comes and puts them aside and takes me by the beard and turns up my face and scans it earnestly. She must have been deceived a good deal. I let her do as she pleases, it is the wisest way with women, and it is good to have her touch me in that way. She seems satisfied. She stands leaning against the arm of the chair and says--

'I must learn first to think of myself as a free woman again, it almost seems wrong today to talk like this; can you understand that feeling?'

I nod assent.

'Next time I must be sure, and you must be sure,' she lays her fingers on my mouth as I am about to protest, 'S-sh! You shall have a year to think. If you repeat then what you have said today, I shall give you your answer. You must not try to find me. I have money. If I am living, I will come here to you. If I am dead, you will be told of it. In the year between I shall look upon myself as belonging to you, and render an account if you wish of every hour. You will not be influenced by me in any way, and you will be able to reason it out calmly. If you think better of it, don't come.'

I feel there would be no use trying to move her, I simply kiss her hands and say:

'As you will, dear woman, I shall be here.'

We don't say any more; she sits down on a footstool with her head against my knee, and I just smooth it. When the clocks strike ten through the house, she rises and I stand up. I see that she has been crying quietly, poor lonely little soul. I lift her off her feet and kiss her, and stammer out my sorrow at losing her, and she is gone. Next morning the little maid brought me an envelope from the lady, who left by the first train. It held a little grey glove; that is why I carry it always, and why I haunt the inn and never leave it for longer than a week; why I sit and dream in the old chair that has a ghost of her presence always; dream of the spring to come with the May-fly on the wing, and the young summer when midges dance, and the trout are growing fastidious; when she will come to me across the meadow grass, through the silver haze, as she did before; come with her grey eyes shining to exchange herself for her little grey glove.

 

1   2   3   4  

Contents