My Cousin Fanny

She seemed to be very fond of artists. She had the queerest tastes, and had, or had had when she was young, one or two friends who, I believe, claimed to be something of that kind; she used to talk about them to old Blinky. But it seemed to us from what she said that artists never did any work; just spent their time lounging around, doing nothing, and daubing paint on their canvas with brushes like a painter, or chiselling and chopping rocks like a mason. One of these friends of hers was a young man from Norfolk who had made a good many things. He was killed or died in the war; so he had not been quite ruined; was worth something anyhow as a soldier. One of his things was a Psyche, and Cousin Fanny used to talk a good deal about it; she said it was fine, was a work of genius. She had even written some verses about it. She repeated them to me once, and I wrote them down. Here they are:

      To Galt's Psyche.

    Well art thou called the soul;
     For as I gaze on thee,
    My spirit, past control,
     Springs up in ecstasy.

    Thou canst not be dead stone;
     For o'er thy lovely face,
    Softer than music's tone,
     I see the spirit's grace.

    The wild aeolian lyre
     Is but a silken string,
    Till summer winds inspire,
     And softest music bring.

    Psyche, thou wast but stone
     Till his inspiring came:
    The sculptor's hand alone
     Made not that soul-touched frame.

They have lain by me for years, and are pretty good for one who didn't write. I think, however, she was young when she addressed them to the "soul-touched" work of the young sculptor, who laid his genius and everything at Virginia's feet. They were friends, I believe, when she was a girl, before she caught that cold, and her eyes got bad.

Among her eccentricities was her absurd cowardice. She was afraid of cows, afraid of horses, afraid even of sheep. And bugs, and anything that crawled, used to give her a fit. If we drove her anywhere, and the horses cut up the least bit, she would jump out and walk, even in the mud; and I remember once seeing her cross the yard, where a young cow that had a calf asleep in the weeds, over in a corner beyond her, started toward it at a little trot with a whimper of motherly solicitude. Cousin Fanny took it into her head that the cow was coming at her, and just screamed, and sat down flat on the ground, carrying on as if she were a baby. Of course, we boys used to tease her, and tell her the cows were coming after her. You could not help teasing anybody like that.

I do not see how she managed to do what she did when the enemy got to Woodside in the war. That was quite remarkable, considering what a coward she was. During 1864 the Yankees on a raid got to her house one evening in the summer. As it happened, a young soldier, one of her cousins (she had no end of cousins), had got a leave of absence, and had come there sick with fever just the day before (the house was always a sort of hospital). He was in the boys' room in bed when the Yankees arrived, and they were all around the house before she knew it. She went downstairs to meet them. They had been informed by one of the negroes that Cousin Charlie was there, and they told her that they wanted him. She told them they could not get him. They asked her, "Why? Is he not there?" (I heard her tell of it once.) She said:

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