Madame Hermet

1   2   3  

The doctor had drawn from his coat pocket a fine water-color paint brush.

"Let me attend to it," he said, "I will put it all right."

She held out her right cheek, and he began by touching it lightly with the brush here and there, as though he were putting little points of paint on it. He did the same with the left cheek, then with the chin, and the forehead, and then exclaimed:

"See, there is nothing there now, nothing at all!"

She took up the mirror, gazed at her reflection with profound, eager attention, with a strong mental effort to discover something, then she sighed:

"No. It hardly shows at all. I am infinitely obliged to you."

The doctor had risen. He bowed to her, ushered me out and followed me, and, as soon as he had locked the door, said:

"Here is the history of this unhappy woman."

Her name is Mme. Hermet. She was once very beautiful, a great coquette, very much beloved and very much in-love with life.

She was one of those women who have nothing but their beauty and their love of admiration to sustain, guide or comfort them in this life. The constant anxiety to retain her freshness, the care of her complexion, of her hands, her teeth, of every portion of body that was visible, occupied all her time and all her attention.

She became a widow, with one son. The boy was brought up as are all children of society beauties. She was, however, very fond of him.

He grew up, and she grew older. Whether she saw the fatal crisis approaching, I cannot say. Did she, like so many others, gaze for hours and hours at her skin, once so fine, so transparent and free from blemish, now beginning to shrivel slightly, to be crossed with a thousand little lines, as yet imperceptible, that will grow deeper day by day, month by month? Did she also see slowly, but surely, increasing traces of those long wrinkles on the forehead, those slender serpents that nothing can check? Did she suffer the torture, the abominable torture of the mirror, the little mirror with the silver handle which one cannot make up one's mind to lay down on the table, but then throws down in disgust only to take it up again in order to look more closely, and still more closely at the hateful and insidious approaches of old age? Did she shut herself up ten times, twenty times a day, leaving her friends chatting in the drawing-room, and go up to her room where, under the protection of bolts and bars, she would again contemplate the work of time on her ripe beauty, now beginning to wither, and recognize with despair the gradual progress of the process which no one else had as yet seemed to perceive, but of which she, herself, was well aware. She knows where to seek the most serious, the gravest traces of age. And the mirror, the little round hand-glass in its carved silver frame, tells her horrible things; for it speaks, it seems to laugh, it jeers and tells her all that is going to occur, all the physical discomforts and the atrocious mental anguish she will suffer until the day of her death, which will be the day of her deliverance.

Did she weep, distractedly, on her knees, her forehead to the ground, and pray, pray, pray to Him who thus slays his creatures and gives them youth only that he may render old age more unendurable, and lends them beauty only that he may withdraw it almost immediately? Did she pray to Him, imploring Him to do for her what He has never yet done for any one, to let her retain until her last day her charm, her freshness and her gracefulness? Then, finding that she was imploring in vain an inflexible Unknown who drives on the years, one after another, did she roll on the carpet in her room, knocking her head against the furniture and stifling in her throat shrieks of despair?

Doubtless she suffered these tortures, for this is what occurred:

One day (she was then thirty-five) her son aged fifteen, fell ill.

He took to his bed without any one being able to determine the cause or nature of his illness.

His tutor, a priest, watched beside him and hardly ever left him, while Mme. Hermet came morning and evening to inquire how he was.

She would come into the room in the morning in her night wrapper, smiling, all powdered and perfumed, and would ask as she entered the door:

"Well, George, are you better?"

The big boy, his face red, swollen and showing the ravages of fever, would reply:

"Yes, little mother, a little better."

She would stay in the room a few seconds, look at the bottles of medicine, and purse her lips as if she were saying "phew," and then would suddenly exclaim: "Oh, I forgot something very important," and would run out of the room leaving behind her a fragrance of choice toilet perfumes.

In the evening she would appear in a decollete dress, in a still greater hurry, for she was always late, and she had just time to inquire:

"Well, what does the doctor say?"

 

1   2   3  

Contents