Wild Earth

She fluttered nearer to the old woman.

"Look," she began tremulously--"look--it's all right, isn't it, my marrying him so quick? I haven't got any folks, and--and I suppose I haven't got much sense; but there was something about him that just made me trust him and--and want him. But it was all so quick, and--now I'm here it seems like maybe--there was--something----Oh, you'd tell me, wouldn't you? It is all right, isn't it?"

The old woman considered. "It's all right ef you're all right," she pronounced at length.

"But--but what do you mean? And--and look here--Aunt Dolcey--tell me--what'd he do to that dog he had?"

"What you know 'bout any dog?"

"I don't know--anything; but when I asked him why he didn't have a dog--he was queer. It scared me."

"Doan be skeered. They ain' nuffin' to be skeered of 'bout Marse Wes. Eve'ything all right ef you got patience, an' ef you got sense, an' ef you got haht enough. Sperrit an' sense go far, but the haht gwine carry you froo. Now I said my say"--her tone mellowed into unctuous kindness--"what you want, Missy? Som'n Aun' Dolcey c'n fotch you? Temme what it is, f'r I got to be up an' erbout my wuk. I got er weddin' cake to mek yit this ebenin'. Yes, ma'am--I gwi' mek you weddin' cake fill de bigges' pan in de kitchen."

She helped Annie rummage in her trunk and get out the sweater she had come in for, and it was not until the girl was running back to the barns that she realized Aunt Dolcey had not answered her question. But the old woman's words had steadied her, reassured her.

And Wes received her gayly. His repairs were done, his team in harness, ready to start.

"It's a shame," he said. "We ought to go off down to town and play round and have a big time, but I'm so behind with my disking, Annie, honey. You see I had to stay over a day in Baltimore. Fact. Important business." He winked at her jocosely. "So I've got to work rest of the day. That's what comes of marrying a farmer. Farm work don't even wait on a bride, not even the prettiest bride in the world."

He stooped to kiss her, and she held tight to his arm.

"I don't mind. You go on about your business and I'll get all unpacked and settled. But don't be late to supper--Aunt Dolcey's making us a wedding cake."

She watched him as he drove down the lane and turned into the field and steadied the first straining rush of his team. Again she felt her abandonment, her utter forlornity, her distance from everything she had known and been accustomed to. But once more she proved herself an adventurer and a philosopher.

Shrugging her shoulders, she turned back to the house.

"It may be a funny way to get married; but everything's all right until it stops being all right, and--and I like it here."

       * * * * *

She had been married a week now, and the week had been the fairest of fair weather, indoors as well as out. Now she sat at the clumsy old secretary desk to write a letter to Miss Tolman.

 ... For all you said, and hought I was crazy, I am just as happy as I can be. Wes is kind and full of fun, and he works very hard. This farm is a pretty place, and the house is ten times as big as your shop. I am learning to cook and churn butter, and Aunt Dolcey, the old coloured woman, teaches me and doesn't laugh when I am dumb. She says, and Wes does, too, that I am a born farmer's wife, and I think maybe I am, for I like it in the country more than I ever thought I'd like any place, and I don't get a bit lonely. You ought to see our wheat--it's like green satin, only prettier.

I hope the rheumatism in your hands is better, and that you have got somebody good in my place. Cousin Lorena, I am a very lucky girl to fall in love with such a nice man, with a piece of property and a flivver, even if it is an old one; but better than all that he has is Wes himself, for you never saw a better, kinder man. He is not rough and does not chew tobacco as you thought maybe he did, only smokes a pipe once in a while. I made a sweet-potato custard yesterday, and he said it was the best he ever tasted. He says I must not do anything that is too hard for me, but I am going to drop seed corn. We have been down to town once, and went to the movies and bought some candy, and he wanted to buy me a new hat, but I wouldn't let him. He is so kind....

       * * * * *

She had written in a glow of happiness, trying to tell everything and finding it hard to get it into words that would allay Cousin Lorena's forebodings and impress her properly. Annie frowned at the paper. How inform a bilious, middle-aged prophet of evil that she had not only wedded prosperity and industry but also a glorious young demigod whose tenderness and goodness passed belief?

Suddenly she heard a voice, loud, angry, incoherent. She dropped the pen and ran out to the kitchen door.

Wes stood there, confronting Uncle Zenas--a Wes she had never dreamed could exist. The vein on his forehead was black and swollen; indeed his whole face was distorted with rage.

"You damned old liar--don't you tell me again you put that pitchfork away when I found it myself in the stable behind the mare's stall. Pretty business if she'd knocked it down and run one of the tines into her."

"Marse Wes, you haddat pitchfo'k dere yo'se'f dis mawnin'; I ain't nevah touch dat pitchfo'k." Unc' Zenas's voice was low and even.

Behind Wes's back Aunt Dolcey made signs to her husband for silence.

"I tell you you're a liar, and by rights I ought to cut your lying tongue out of your head! I haven't even seen that pitchfork for three days, and when I went to look for it just now I found it in the stable where you'd had it cleaning out the stalls. Now shut up and get out about your work! Don't let me hear another word out of you!"

Unc' Zenas turned away and Wes, without a word or look at the two women, strode after him. Annie, shaken, caught Aunt Dolcey's arm.

"Oh, Aunt Dolcey," she breathed, "what on earth was the matter?"

Aunt Dolcey drew her into the kitchen.

"Nuffin' but Marse Wes flyin' int' one his bad Dean temper fits, honey," said the old woman "No use to min' him. No use payin' any 'tention. Dat why I waggle my head at Zenas to say nuffin' back. Talk back to Marse Wes when he's high-flyin' on'y meks things worse."

Annie beheld an abyss yawning beneath her feet.

"Yes, but, Aunt Dolcey--what's the sense in talking that way? It wasn't anything, just a pitchfork out of place. And he went on so. And he looked so dreadful."

Aunt Dolcey rattled her pans.

"I been dreadin' dis moment, whenas you firs' see Marse Wes in his anger. Zenas an' me, we's use to it. Marse Wes dataway; som'n go wrong he fly off de handle. Zenas ain't mislay no pitchfo'k--I seed Marse Wes mahse'f wid dat pitchfo'k dis mawnin'. But eve'y once in a while he git a temper fit an' blow off he mouf like dat. Sometimes he strike some-buddy--but he doan often strike Zenas. Sometimes he git mad at oner de hosses an' frail it proper. Dat high temper run in de Dean fambly, chile. Dey gits mad, an' dey flies off, an' you just got to stan' it."

"But does he--does he get over it quick?"

The old negress shook her head.

"He'll be mighty quiet come suppeh-time, not talkin' much, lookin' dahk. Walk light, an' don't say nuffin' rile him up, eve'ything all right. T'-morrow mawnin' come, he's outer it." Her voice rose into a minor cadence, almost a chant. "Chile, it's a dahk shadder on all de Deans--dey all mahked wid dat frown on deir foreheads, an' dey all got dahk hours come to um. Marse Wes's maw she fade out an' die caze she cain' stan' no such. His grammaw, she leave his grampaw. An' so on back. Ontell some ooman marry a Dean who kin chase dat debbil outer him, jes so long de Dean men lib in de shadder. I tole you, ain' I, de day you come, sperrit an' sense carry you fur, but it's de haht gwine carry you froo. Now you un'stan'."

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