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The next day the master awoke to find his little school famous. Whatever were the exaggerations or whatever the fancies carried home to their parents by the children, the result was an overwhelming interest in the proceedings and personnel of the school by the whole district. People had already called at the Hoover ranch to see Mrs. Hoover's pretty adopted daughter. The master, on his way to the schoolroom that morning, had found a few woodmen and charcoal burners lounging on the bridle path that led from the main road. Two or three parents accompanied their children to school, asserting they had just dropped in to see how "Aramanta" or "Tommy" were "gettin' on." As the school began to assemble several unfamiliar faces passed the windows or were boldly flattened against the glass. The little schoolhouse had not seen such a gathering since it had been borrowed for a political meeting in the previous autumn. And the master noticed with some concern that many of the faces were the same which he had seen uplifted to the glittering periods of Colonel Starbottle, "the war horse of the Democracy." For he could not shut his eyes to the fact that they came from no mere curiosity to see the novel and bizarre; no appreciation of mere picturesqueness or beauty; and alas! from no enthusiasm for the progression of education. He knew the people among whom he had lived, and he realized the fatal question of "color" had been raised in some mysterious way by those Southwestern emigrants who had carried into this "free state" their inherited prejudices. A few words convinced him that the unhappy children had variously described the complexion of their new fellow pupil, and it was believed that the "No'th'n" schoolmaster, aided and abetted by "capital" in the person of Hiram Hoover, had introduced either a "nigger wench," a "Chinese girl," or an "Injin baby" to the same educational privileges as the "pure whites," and so contaminated the sons of freemen in their very nests. He was able to reassure many that the child was of Spanish origin, but a majority preferred the evidence of their own senses, and lingered for that purpose. As the hour for her appearance drew near and passed, he was seized with a sudden fear that she might not come, that Mr. Hoover had been prevailed upon by his compatriots, in view of the excitement, to withdraw her from the school. But a faint cheer from the bridle path satisfied him, and the next moment a little retinue swept by the window, and he understood. The Hoovers had evidently determined to accent the Spanish character of their little charge. Concha, with a black riding skirt over her flounces, was now mounted on a handsome pinto mustang glittering with silver trappings, accompanied by a vaquero in a velvet jacket, Mr. Hoover bringing up the rear. He, as he informed the master, had merely come to show the way to the vaquero, who hereafter would always accompany the child to and from school. Whether or not he had been induced to this display by the excitement did not transpire. Enough that the effect was a success. The riding skirt and her mustang's fripperies had added to Concha's piquancy, and if her origin was still doubted by some, the child herself was accepted with enthusiasm. The parents who were spectators were proud of this distinguished accession to their children's playmates, and when she dismounted amid the acclaim of her little companions, it was with the aplomb of a queen. The master alone foresaw trouble in this encouragement of her precocious manner. He received her quietly, and when she had removed her riding skirt, glancing at her feet, said approvingly, "I am glad to see you have changed your slippers; I hope they fit you more firmly than the others." The child shrugged her shoulders. "Quien sabe. But Pedro (the vaquero) will help me now on my horse when he comes for me." The master understood the characteristic non sequitur as an allusion to his want of gallantry on the previous day, but took no notice of it. Nevertheless, he was pleased to see during the day that she was paying more attention to her studies, although they were generally rehearsed with the languid indifference to all mental accomplishment which belonged to her race. Once he thought to stimulate her activity through her personal vanity. "Why can you not learn as quickly as Matilda Bromly? She is only two years older than you," he suggested. "Ah! Mother of God!—why does she then try to wear roses like me? And with that hair. It becomes her not." The master became thus aware for the first time that the elder Bromly girl, in "the sincerest form of flattery" to her idol, was wearing a yellow rose in her tawny locks, and, further, that Master Bromly with exquisite humor had burlesqued his sister's imitation with a very small carrot stuck above his left ear. This the master promptly removed, adding an additional sum to the humorist's already overflowing slate by way of penance, and returned to Concha. "But wouldn't you like to be as clever as she?—you can if you will only learn." "What for should I? Look you; she has a devotion for the tall one—the boy Brown! Ah! I want him not." Yet, notwithstanding this lack of noble ambition, Concha seemed to have absorbed the "devotion" of the boys, big and little, and as the master presently discovered even that of many of the adult population. There were always loungers on the bridle path at the opening and closing of school, and the vaquero, who now always accompanied her, became an object of envy. Possibly this caused the master to observe him closely. He was tall and thin, with a smooth complexionless face, but to the master's astonishment he had the blue gray eye of the higher or Castilian type of native Californian. Further inquiry proved that he was a son of one of the old impoverished Spanish grant holders whose leagues and cattle had been mortgaged to the Hoovers, who now retained the son to control the live stock "on shares." "It looks kinder ez ef he might hev an eye on that poorty little gal when she's an age to marry," suggested a jealous swain. For several days the girl submitted to her school tasks with her usual languid indifference and did not again transgress the ordinary rules. Nor did Mr. Brooks again refer to their hopeless conversation. But one afternoon he noticed that in the silence and preoccupation of the class she had substituted another volume for her text-book and was perusing it with the articulating lips of the unpracticed reader. He demanded it from her. With blazing eyes and both hands thrust into her desk she refused and defied him. Mr. Brooks slipped his arms around her waist, quietly lifted her from the bench—feeling her little teeth pierce the back of his hand as he did so, but secured the book. Two of the elder boys and girls had risen with excited faces. "Sit down!" said the master sternly. They resumed their places with awed looks. The master examined the book. It was a little Spanish prayer book. "You were reading this?" he said in her own tongue. "Yes. You shall not prevent me!" she burst out. "Mother of God! THEY will not let me read it at the ranch. They would take it from me. And now YOU!" "You may read it when and where you like, except when you should be studying your lessons," returned the master quietly. "You may keep it here in your desk and peruse it at recess. Come to me for it then. You are not fit to read it now." The girl looked up with astounded eyes, which in the capriciousness of her passionate nature the next moment filled with tears. Then dropping on her knees she caught the master's bitten hand and covered it with tears and kisses. But he quietly disengaged it and lifted her to her seat. There was a sniffling sound among the benches, which, however, quickly subsided as he glanced around the room, and the incident ended. Regularly thereafter she took her prayer book back at recess and disappeared with the children, finding, as he afterwards learned, a seat under a secluded buckeye tree, where she was not disturbed by them until her orisons were concluded. The children must have remained loyal to some command of hers, for the incident and this custom were never told out of school, and the master did not consider it his duty to inform Mr. or Mrs. Hoover. If the child could recognize some check—even if it were deemed by some a superstitious one—over her capricious and precocious nature, why should he interfere? One day at recess he presently became conscious of the ceasing of those small voices in the woods around the schoolhouse, which were always as familiar and pleasant to him in his seclusion as the song of their playfellows—the birds themselves. The continued silence at last awakened his concern and curiosity. He had seldom intruded upon or participated in their games or amusements, remembering when a boy himself the heavy incompatibility of the best intentioned adult intruder to even the most hypocritically polite child at such a moment. A sense of duty, however, impelled him to step beyond the schoolhouse, where to his astonishment he found the adjacent woods empty and soundless. He was relieved, however, after penetrating its recesses, to hear the distant sound of small applause and the unmistakable choking gasps of Johnny Stidger's pocket accordion. Following the sound he came at last upon a little hollow among the sycamores, where the children were disposed in a ring, in the centre of which, with a handkerchief in each hand, Concha the melancholy!—Concha the devout!—was dancing that most extravagant feat of the fandango—the audacious sembicuaca! Yet, in spite of her rude and uncertain accompaniment, she was dancing it with a grace, precision, and lightness that was wonderful; in spite of its doubtful poses and seductive languors she was dancing it with the artless gayety and innocence—perhaps from the suggestion of her tiny figure—of a mere child among an audience of children. Dancing it alone she assumed the parts of the man and woman; advancing, retreating, coquetting, rejecting, coyly bewitching, and at last yielding as lightly and as immaterially as the flickering shadows that fell upon them from the waving trees overhead. The master was fascinated yet troubled. What if there had been older spectators? Would the parents take the performance as innocently as the performer and her little audience? He thought it necessary later to suggest this delicately to the child. Her temper rose, her eyes flashed. "Ah, the slipper, she is forbidden. The prayer book—she must not. The dance, it is not good. Truly, there is nothing." For several days she sulked. One morning she did not come to school, nor the next. At the close of the third day the master called at the Hoovers' ranch. Mrs. Hoover met him embarrassedly in the hall. "I was sayin' to Hiram he ought to tell ye, but he didn't like to till it was certain. Concha's gone." "Gone?" echoed the master. "Yes. Run off with Pedro. Married to him yesterday by the Popish priest at the mission." "Married! That child?" "She wasn't no child, Mr. Brooks. We were deceived. My brother was a fool, and men don't understand these things. She was a grown woman—accordin' to these folks' ways and ages—when she kem here. And that's what bothered me." There was a week's excitement at Chestnut Ridge, but it pleased the master to know that while the children grieved for the loss of Concha they never seemed to understand why she had gone.
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