Melissa's Tour

Well, in such converse as this we reached Liverpool in due time, and went next morning on board our steamer. We had a lovely passage out, and, all the way, the more we saw of Melissa the more we liked her. To be sure, Lucy received a terrible shock the third day out, when she asked Melissa what she meant to do when she returned to Kansas City. "You won't go into the post-office again, I suppose, dear?" she said, kindly, for we had got by that time on most friendly terms with our little Melissa.

"I guess not," Melissa answered. "No such luck any more. I'll have to go back again to the store as usual."

"The store!" Lucy repeated, bewildered. "I --I don't quite understand you."

"Well, the shop, I presume you'd call it," Melissa answered, smiling. "My father's gotten a book-store in Kansas City, and before I went into the post-office I helped him at the counter; in fact, I was his saleswoman."

"I assure you, Vernon," Lucy remarked, in our berth that night, "if an Englishwoman had said it to me, I'd have been obliged to apologise to her for having forced her to confess it, and I don't know what way I should ever have looked to hide my face while she was talking about it. But with Melissa it's all so different somehow. She spoke as if it was the most natural thing on earth for her father to keep a shop, and she didn't seem the least little bit in the world ashamed of it, either."

"Why should she?" I answered, with my masculine bluntness. But that was perhaps a trifle too advanced for Lucy. Melissa was exercising a widening influence on my wife's point of view with astonishing rapidity; but still, a perfect lady must always draw a line somewhere.

All the way across, indeed, Melissa's lively talk was a constant delight and pleasure to every one of us. She was so taking,--that girl,--so confidential, so friendly. We really loved her. Then her quaint little Americanisms were as pretty as herself--not only her "Yes, sirs," and her "No, ma'ams," her "I guess" and "That's so," but her fresh Western ideas, and her infinite play of fancy in the queen's English. She turned it as a potter turns his clay. In Britain our mother tongue has crystallised long since into set forms and phrases. In America it has the plasticity of youth; it is fertile in novelty--nay, even in surprises. And Melissa knew how to twist it deftly into unexpected quips and incongruous conjunctions. Her talk ran on like a limpid brook, with a musical ripple playing ever on the surface. As for Bernard, he helped her about the ship like a brother, as she moved lightly around, with her sylph-like little form, among the ropes and capstans. Melissa Hked to be helped, she said; she didn't believe one bit in woman's rights; no, indeed; she was a great deal too fond of being taken care of for that. And who wouldn't take care of her,--that delicate little thing,--like some choice small masterpiece of cunning workmanship? Why, she almost looked as if she were made of Venetian glass, and a fall on deck would shatter her into a thousand fragments.

And her talk all the way was of the joys of Europe--the castles and abbeys she was leaving behind, the pictures and statues she had seen and admired, the pictures and statues she had left unvisited. "Somebody told me in Paris," she said to me one day, as she hung on my arm on deck, and looked up into my face confidingly with that childlike smile of hers, "the only happy time in an American woman's life is the period when she's just got over the first poignant regret at having left Europe, and hasn't just reached the point when she makes up her mind that, come what will, she really MUST go back again. And I thought, for my part, then my happiness was fairly spoiled for life, for I shall never be able again to afford the journey."

"Melissa, my child," I said, looking down at those ripe, rich lips, "in this world one never knows what may turn up next. I've observed on my way down the path of life that, when fruit hangs rosy red on the tree by the wall, some passer-by or other is pretty sure in the end to pluck it."

But that was too much for Melissa's American modesty. She looked down and blushed like a rose herself; but she answered me nothing.

A night or two before we reached New York I was standing in the gloom, half hidden by a boat on the davits amidships, enjoying my vespertinal cigar in the cool of evening; and between the puffs I caught from time to time stray snatches of a conversation going on softly in the twilight between Bernard and Melissa. I had noticed of late, indeed, that Bernard and Melissa walked much on deck in the evening together; but this particular evening they walked long and late, and their conversation seemed to me (if I might judge by fragments) particularly confidential. The bits of it I caught were mostly, it is true, on Melissa's part (when Bernard said anything he said it lower). She was talking enthusiastically of Venice, Florence, Pisa, Rome, with occasional flying excursions into Switzerland and the Tyrol. Once, as she passed, I heard something murmured low about Botticelli's "Primavera"; when next she went by it was the Alps from Murren; a third time, again, it was the mosaics at St. Mark's, and Titian's "Assumption," and the doge's palace. What so innocent as art, in the moonlight, on the ocean?

At last Bernard paused just opposite where I stood (for they didn't perceive me), and said very earnestly, "Look here, Melissa,"--he had called her Melissa almost from the first moment, and she to prefer it, it seemed so natural,--"look here, Melissa. Do you know, when you talk about things like that, you make me feel so dreadfully ashamed of myself."

"Why so, Mr. Hancock?" Melissa asked, innocently.

"Well, when I think what opportunities I've had, and how little I've used them," Bernard exclaimed, with vehemence, "and then reflect how few you've got, and how splendidly you've made the best of them, I just blush, I tell you, Melissa, for my own laziness."

"Perhaps," Melissa interposed, with a grave little air, "if one had always been brought up among it all, one wouldn't think quite so much of it. It's the novelty of antiquity that makes it so charming to people from my country. I suppose it seems quite natural, now, to you that your parish church should be six hundred years old, and have tombs in the chancel, with Elizabethan ruffs, or its floor inlaid with Plantagenet brasses. To us, all that seems mysterious, and in a certain sort of way one might almost say magical. Nobody can love Europe quite so well, I'm sure, who has lived in it from a child. YOU grew up to many things that burst fresh upon us at last with all the intense delight of a new sensation."

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