Some Real American Ghosts

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The old family seat of the T.'s, one of the most prominent names in the community, is not far from the scenes of the above-mentioned adventure. In all this region of lovely situations and charming water views, its site is one of the most beautiful. The brick mansion, with all the strangely mixed comforts and discomforts of ancient architecture, rears its roof up from an elevated lawn, while the silvery thread of a land-locked stream winds nearly around the whole. Over the further bank dance the sparkling waters of a broad estuary, flashing in the glance of the sunshine or tossing its white-capped billows in angry mimicry of the sea. The gleam of white sails is never lacking to add variety and picturesqueness to the scene. In the dead, hushed calm of a summer evening, when the lifted oar rests on the gunwale, unwilling to disturb with its dip the glassy surface, one has a strange, dreamy sense of being suspended in space, the sky, in all its changing beauties, being accurately reflected in illimitable depth by the still water, until the charm is broken by the splash and ripple of a school of nomadic alewives or the gliding, sinuous fin of a piratical shark. In this lovely home it was wont for the family to assemble on the occasion of certain domestic celebrations, and it was at one of these that the following incident occurred: All were present except one member, who was detained by sickness at her residence, fifteen miles away. It was in early afternoon that one of the ladies standing at an open window, suddenly exclaimed: "Why, there's Aunt Milly crossing the flower garden!" The party approached the window, and beheld, in great surprise, the lady, in her ordinary costume, slowly strolling among the flowers. She paused and looked earnestly at the group, her features plainly visible; then turned and disappeared amidst the shrubbery. No trace of her presence being discoverable, it was natural that a gloom fell upon the company. A few hours later a messenger arrived with the intelligence of her death. The time of her apparition and the time of her death coincided.


AN IDIOT GHOST WITH BRASS BUTTONS

(Philadelphia Press, June 16, 1889)

In a pretty but old-fashioned house in Stuyvesant square—ghosts like squares, I think—is another ghost. This house stood empty for several years, and about six years ago a gentleman, his wife and little daughter moved in there, and while fitting up allowed the child to play about the empty attic, which had apparently been arranged for a children's playroom long ago. There was a fireplace and a large fireboard in front of it.

When the house was about finished down stairs the mother began to pay more attention to the little girl and tried to keep her down there with her, but the child always stole away and went back up stairs again and again, until finally the mother asked why she liked to go up there so much. She replied that she liked to play with the funny little boy. Investigation showed that it was utterly impossible for any person, man or child, to get in that place or be concealed there, but the little girl insisted and told her parents that he "went in there," pointing to the fireboard.

The parents were seriously concerned, believing that their daughter was telling them an untruth, and threatened to punish her for it, but she insisted so strongly that she saw and played with a "funny little boy, with lots of brass buttons on his jacket," that they finally gave up threatening and resolved to investigate.

The father, who is an old sea captain, found out that this house had been occupied by an Englishman named Cowdery who had had three children—two boys and a girl. One of the boys was an idiot. This idiot was supposed to have fallen into the East River, as his cap was found there, and he had always shown a liking for the river when his nurse took him out. Soon after this Mr. Cowdery moved West.

This was enough for my friend's friend, who had the fireboard taken down, and short work in the wall by the side of the chimney brought the body of the unfortunate idiot boy. The back of his skull was crushed in. He still had the dark blue jacket on, with four rows of buttons on the front. The poor little bones were buried and the affair kept quiet, but the captain left the house.


A MODEL GHOST STORY

(Boston Courier, Aug. 10)

A very singular story which forms one of the sensational social topics of the day is the best authenticated of the many stories of the supernatural that have been lately told. Only a short time ago a young and well-known artist, Mr. A., was invited to pay a visit to his distinguished friend, Mr. Izzard. The house was filled with guests, but a large and handsome room was placed at his disposal, apparently one of the best in the house. For three days he had a delightful visit; delightful in all particulars save one, he had each night a horrible dream. He dreamed he was—or was really—suddenly awakened by some person entering his room, and in looking around saw the room brilliantly lighted, while at the window stood a lady elegantly attired, in the act of throwing something out. This accomplished, she turned her face toward the only spectator showing a countenance so distorted by evil passions that he was thrilled with horror. Soon the light and the figure with the dreadful face disappeared, leaving the artist suffering from a frightful nightmare. On returning to his city home he was so haunted by the fearful countenance which had for three consecutive nights troubled him, that he made a sketch of it, and so real that the evil expression seemed to horrify every one who saw it. Not a great while after, the artist went to make an evening visit on Mr. Izzard; that gentleman invited him to his picture gallery, as he wished to show him some remarkable, old family portraits. What was Mr. A.'s surprise to recognize among them, in the likeness of a stately, well-dressed lady, the one who had so troubled his slumbers on his previous visit, lacking, however, the revolting, wicked expression. Soon as he saw it he involuntarily exclaimed, "Why, I have seen that lady!" "Indeed!" said Mr. I., smiling, "that is hardly possible, as she died more than a hundred years ago. She was the second wife of my great-grandfather, and reflected anything but credit on the family. She was strongly suspected of having murdered her husband's son by a former marriage, in order to make her own child heir to the property. The unfortunate boy broke his neck in a fall from a window, and there was every reason to believe that he was precipitated from the window by his stepmother." The artist then told his host the circumstances of his thrice-repeated experience, or dream, and sent for his sketch, which, so far as the features were concerned, was identical with the portrait in Mr. Izzard's gallery. The sketch has since been photographed, but from its hideous expression is not very pleasant to look upon.


A GHOST THAT WILL NOT DOWN

(Cincinnati Enquirer, Sept. 30, 1884)

Grantsville, W. Va., September 30.—The ghost of Betts' farm will not lay. Something over a year ago the Enquirer contained an account or an occult influence or manifestation at the farm house of Mr. Collins Betts, about three miles below this town, in which story were delineated a number of weird, strange instances of ghostly manifestations, all of which were verified by the testimony of honest, brave and reliable citizens, the names of many of whom were mentioned. That story went the rounds of newspapers all over the country and resulted in the proprietor of the place receiving hundreds of letters from all over the country.

 

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