The old family seat of the T.'s, one of the most prominent names in the
community, is not far from the scenes of the above-mentioned adventure. In all
this region of lovely situations and charming water views, its site is one of
the most beautiful. The brick mansion, with all the strangely mixed comforts and
discomforts of ancient architecture, rears its roof up from an elevated lawn, while the
silvery thread of a land-locked stream winds nearly around the whole. Over the
further bank dance the sparkling waters of a broad estuary, flashing in the
glance of the sunshine or tossing its white-capped billows in angry mimicry of
the sea. The gleam of white sails is never lacking to add variety and
picturesqueness to the scene. In the dead, hushed calm of a summer evening, when
the lifted oar rests on the gunwale, unwilling to disturb with its dip the
glassy surface, one has a strange, dreamy sense of being suspended in space, the
sky, in all its changing beauties, being accurately reflected in illimitable
depth by the still water, until the charm is broken by the splash and ripple of
a school of nomadic alewives or the gliding, sinuous fin of a piratical shark.
In this lovely home it was wont for the family to assemble on the occasion of
certain domestic celebrations, and it was at one of these that the following
incident occurred: All were present except one member, who was detained by
sickness at her residence, fifteen miles away. It was in early afternoon that
one of the ladies standing at an open window, suddenly exclaimed: "Why, there's
Aunt Milly crossing the flower garden!" The party approached the window, and
beheld, in great surprise, the lady, in her ordinary costume, slowly strolling
among the flowers. She paused and looked earnestly at the group, her features
plainly visible; then turned and disappeared amidst the shrubbery. No trace of
her presence being discoverable, it was natural that a gloom fell upon the
company. A few hours later a messenger arrived with the intelligence of her
death. The time of her apparition and the time of her death coincided.
AN IDIOT GHOST WITH BRASS BUTTONS
(Philadelphia Press, June 16, 1889)
In a pretty but old-fashioned house in Stuyvesant square—ghosts like squares,
I think—is another ghost. This house stood empty for several years, and about
six years ago a gentleman, his wife and little daughter moved in there, and while
fitting up allowed the child to play about the empty attic, which had apparently
been arranged for a children's playroom long ago. There was a fireplace and a
large fireboard in front of it.
When the house was about finished down stairs the mother began to pay more
attention to the little girl and tried to keep her down there with her, but the
child always stole away and went back up stairs again and again, until finally
the mother asked why she liked to go up there so much. She replied that she
liked to play with the funny little boy. Investigation showed that it was
utterly impossible for any person, man or child, to get in that place or be
concealed there, but the little girl insisted and told her parents that he "went
in there," pointing to the fireboard.
The parents were seriously concerned, believing that their daughter was
telling them an untruth, and threatened to punish her for it, but she insisted
so strongly that she saw and played with a "funny little boy, with lots of brass
buttons on his jacket," that they finally gave up threatening and resolved to
investigate.
The father, who is an old sea captain, found out that this house had been
occupied by an Englishman named Cowdery who had had three children—two boys and
a girl. One of the boys was an idiot. This idiot was supposed to have fallen
into the East River, as his cap was found there, and he had always shown a
liking for the river when his nurse took him out. Soon after this Mr. Cowdery
moved West.
This was enough for my friend's friend, who had the fireboard taken down, and
short work in the wall by the side of the chimney brought the body of the
unfortunate idiot boy. The back of his skull was crushed in. He still had the
dark blue jacket on, with four rows of buttons on the front. The poor little
bones were buried and the affair kept quiet, but the captain left the
house.
A MODEL GHOST STORY
(Boston Courier, Aug. 10)
A very singular story which forms one of the sensational social topics of the
day is the best authenticated of the many stories of the supernatural that have
been lately told. Only a short time ago a young and well-known artist, Mr. A.,
was invited to pay a visit to his distinguished friend, Mr. Izzard. The house
was filled with guests, but a large and handsome room was placed at his
disposal, apparently one of the best in the house. For three days he had a
delightful visit; delightful in all particulars save one, he had each night a
horrible dream. He dreamed he was—or was really—suddenly awakened by some person
entering his room, and in looking around saw the room brilliantly lighted, while
at the window stood a lady elegantly attired, in the act of throwing something
out. This accomplished, she turned her face toward the only spectator showing a
countenance so distorted by evil passions that he was thrilled with horror. Soon
the light and the figure with the dreadful face disappeared, leaving the artist
suffering from a frightful nightmare. On returning to his city home he was so
haunted by the fearful countenance which had for three consecutive nights
troubled him, that he made a sketch of it, and so real that the evil expression
seemed to horrify every one who saw it. Not a great while after, the artist went
to make an evening visit on Mr. Izzard; that gentleman invited him to his
picture gallery, as he wished to show him some remarkable, old family portraits.
What was Mr. A.'s surprise to recognize among them, in the likeness of a
stately, well-dressed lady, the one who had so troubled his slumbers on his
previous visit, lacking, however, the revolting, wicked expression. Soon as he
saw it he involuntarily exclaimed, "Why, I have seen that lady!" "Indeed!" said
Mr. I., smiling, "that is hardly possible, as she died more than a hundred years
ago. She was the second wife of my great-grandfather, and reflected anything but
credit on the family. She was strongly suspected of having murdered her husband's son
by a former marriage, in order to make her own child heir to the property. The
unfortunate boy broke his neck in a fall from a window, and there was every
reason to believe that he was precipitated from the window by his stepmother."
The artist then told his host the circumstances of his thrice-repeated
experience, or dream, and sent for his sketch, which, so far as the features
were concerned, was identical with the portrait in Mr. Izzard's gallery. The
sketch has since been photographed, but from its hideous expression is not very
pleasant to look upon.
A GHOST THAT WILL NOT DOWN
(Cincinnati Enquirer, Sept. 30, 1884)
Grantsville, W. Va., September 30.—The ghost of
Betts' farm will not lay. Something over a year ago the Enquirer
contained an account or an occult influence or manifestation at the farm house
of Mr. Collins Betts, about three miles below this town, in which story were
delineated a number of weird, strange instances of ghostly manifestations, all
of which were verified by the testimony of honest, brave and reliable citizens,
the names of many of whom were mentioned. That story went the rounds of
newspapers all over the country and resulted in the proprietor of the place
receiving hundreds of letters from all over the country.
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