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I found the South Audley Street nursing home and was at once surrounded with the hush, the shaded rooms, the scents of medicine and flowers, and some undefinable cleanliness that belongs to those places. I waited in a little room, the walls decorated with sporting prints, the green baize table gloomily laden with volumes of Punch and the Tatler. Wilbraham's doctor came in to see me, a dapper, smart little man, efficient and impersonal. He told me that Wilbraham had at most only twenty-four hours to live, that his brain was quite clear, and that he was suffering very little pain, that he had been brutally kicked in the stomach by some man in the Covent Garden crowd and had there received the internal injuries from which he was now dying. "His brain is quite clear," the doctor said. "Let him talk. It can do him no harm. Nothing can save him. His head is full of queer fancies; he wants every one to listen to him. He's worrying because there's some message he wants to send... he wants to give it to you." When I saw Wilbraham he was so little changed that I felt no shock. Indeed, the most striking change in him was the almost exultant happiness in his voice and eyes. It is true that after talking to him a little I knew that he was dying. He had that strange peace and tranquillity of mind that one saw so often with dying men in the war. I will try to give an exact account of Wilbraham's narrative; nothing else is of importance in this little story but that narrative; I can make no comment. I have no wish to do so. I only want to pass it on as he begged me to do. "If you don't believe me," he said, "give other people the chance of doing so. I know that I am dying. I want as many men and women to have a chance of judging this as is humanly possible. I swear to you that I am telling the truth and the exact truth in every detail." I began my account by saying that I was not convinced. How could I be convinced? At the same time I have none of those explanations with which people are so generously forthcoming on these occasions. I can only say that I do not think Wilbraham was insane, nor drunk, nor asleep. Nor do I believe that some one played a practical joke.... Whether Wilbraham was insane between the hours when his visitor left him and his entrance into the nursing home I must leave to my readers. I myself think he was not. After all, everything depends upon the relative importance that we place upon ambitions, possessions, emotions,--ideas. Something suddenly became of so desperate an importance to Wilbraham that nothing else at all mattered. He wanted every one else to see the importance of it as he did. That is all.... It had been a hot and oppressive day; London had seemed torrid and uncomfortable. The mere fact that Oxford street was "up" annoyed him. After a slight meal in his flat he went to the Promenade Concert at Queen's Hall. It was the second night of the season--Monday night, Wagner night. He bought himself a five shilling ticket and sat in the middle of the balcony overlooking the floor. He was annoyed again when he discovered that he had been given a ticket for the "non-smoking" section of the balcony. He had heard no Wagner since August, 1914, and was anxious to discover the effect that hearing it again would have upon him. The effect was disappointing. The music neither caught nor held him. "The Meistersinger" had always been a great opera for him. The third act music that Sir Henry Wood gave to him didn't touch him anywhere. He also discovered that six years' abstinence had not enraptured him any more deeply with the rushing fiddles in the "Tannhäuser" Overture nor with the spinning music in the "Flying Dutchman." Then came suddenly the prelude to the third act of "Tristan." That caught him; the peace and tranquillity that he needed lapped him round; he was fully satisfied and could have listened for another hour. He walked home down Regent Street, the quiet melancholy of the shepherd's pipe accompanying him, pleasing him and tranquillizing him. As he reached his flat ten o'clock struck from St. James' Church. He asked the porter whether any one had wanted him during his absence--whether any one was waiting for him now--(some friend had told him that he might come up and use his spare room one night that week). No, no one had been. There was no one there waiting. Great was his surprise, therefore, when opening the door of his flat he found some one standing there, one hand resting on the table, his face turned towards the open door. Stronger, however, than Wilbraham's surprise was his immediate conviction that he knew his visitor well, and this was curious because the face was, undoubtedly strange to him. "I beg your pardon," Wilbraham said to him, hesitating. "I wanted to see you," the Stranger said, smiling. When Wilbraham was telling me this part of his story he seemed to be enveloped--"enveloped" is the word that best conveys my own experience of him--by some quite radiant happiness. He smiled at me confidentially as though he were telling me something that I had experienced with him and that must give me the same happiness that it gave to him. "Ought I to have expected? Ought I to have known--" he stammered. "No, you couldn't have known," the Stranger answered. "You're not late. I knew when you would come." Wilbraham told me that during these moments he was surrendering himself to an emotion and intimacy and companionship that was the most wonderful thing that he had ever known. It was that intimacy and companionship, he told me, for which all his days he had been searching. It was the one thing that life never seemed to give; even in the greatest love, the deepest friendship, there was that seed of loneliness hidden. He had never found it in man or woman. Now it was so wonderful that the first thing he said was: "And now you're going to stay, aren't you? You won't go away at once...?" "Of course, I'll stay," he answered. "If you want me." His Visitor was dressed in some dark suit; there was nothing about Him in any way odd or unusual. His Face was thin and pale, His smile kindly. His English was without accent. His voice was soft and very melodious. But Wilbraham could notice nothing but His Eyes; they were the most beautiful, tender, gentle Eyes that he had ever seen in any human being. They sat down. Wilbraham's overwhelming fear was lest his Guest should leave him. They began to talk and Wilbraham took it at once as accepted that his Friend knew all about him--everything. He found himself eagerly plunging into details of scenes, episodes that he had long put behind him--put behind him for shame perhaps or for regret or for sorrow. He knew at once that there was nothing that he need veil nor hide--nothing. He had no sense that he must consider susceptibilities nor avoid self-confession that was humiliating. But he did find, as he talked on, a sense of shame from another side creep towards him and begin to enclose him. Shame at the smallness, meanness, emptiness of the things that he declared.
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