"Genius"

But no; she mustn't do that: this was the place Ben had chosen for her; she must stay where she was. He might look there, miss her, and imagine that there was nobody, nobody at all; that even she had failed him.

If only she could spread herself--spread herself indefinitely--multiply herself: anything, anything to cover those beastly chairs: sticking out there, grinning, shaming her man!

Then she had a sudden idea of running into the street, entreating the people to come in; was upon her feet for the second time, when Ben walked on to the platform.

For once he was not ducking or moving sideways; he came straight forward, bowed to the front of him, right and left; drew off his gloves and bowed again. Mingling with her agony of pity, a thrill, ran through Jenny Bligh at this. He remembered her teaching; he was hers--hers--hers--after all, hers--more than ever hers!

The borrowed coat, far too big for him, rose in a sort of hood at the back of his neck; as he bowed something happened to the centre stud of his shirt, and it disappeared into an aperture shaped like a dark gourd in the whiteness.

But, for all that, Jenny felt herself overawed by his dignity, as any one would have been: there was something in the man so much greater than his clothes, greater than his conscious, half-childish self.

Jenny's hands were raised to clap; but they dropped into her lap, lay there, as, with a face set like marble, Ben turned and seated himself at the piano. There was a moment's pause, while he stared straight in front of him--such a pause that a feeling of goose-flesh ran down the back of her arms--then he began to play.

Jenny had not even glanced at her programme; she would have understood nothing of it if she had; but it gave the Sonata, Op. III, as the opening piece.

Ben, however, took no notice of this; but, for some reason he could not have explained, flung himself straight-way into the third item, the tremendous "Hammerclavier."

The sounds flooded the hall; swept through it as if it were not there, obliterating time and space. It was as though the Heavenly Host had descended upon the earth, sweet, wonderful, and yet terrible, with a sweep of pinions, deep-drawn breath--Tubal Cain and his kind, deified and yet human in their immense masculinity and strength.

Jenny Bligh was neither imaginative nor susceptible to sound, but it drew her out of herself. It was like bathing in a sea whose waves overpower one so that, try as one may to cling to the earth, it slips off from beneath one's feet--shamed, beaten. She had a feeling that if it did not stop soon she would die; and would yet die when it did stop. Her heart beat thickly and heavily, her eyes were dim; she was bewildered, lost, and yet exhilarated. It was worse than an air raid, she thought--more exciting, more wonderful.

The end left her almost as much exhausted as Ben himself. The sweat was running down his face as he got up from his seat, came forward to the front of the platform, and bowed right and left. Jenny had not clapped--she would as soon have thought of clapping God with His last trump--but Ben bowed as though a whole multitude had applauded him.

By some chance, the only direction in which he did not turn his eyes was the gallery: even then, he might not have seen a single figure seated a little to one side--a man with a dark overcoat buttoned up to his chin, who clapped his two thumbs noiselessly together, drawing in his breath with a sort of whistle.

"That's the stuff!" he said. "That's the stuff to give 'em!"

After a moment's pause, Ben turned again to the piano. This time he played the Sonata Pathétique in C Minor, Op. XIII; then the Sonata Walstein in C Major. Between each, he got up, moved forward to the edge of the platform, and bowed.

At the end of the Sonata, Op. III--by rights the first on the programme--during the short interval which followed it he straightened his shoulders with a sort of swagger, utterly unlike himself, swung round to the piano again, and slammed out "God Save the King."

He played it through to the very end, then rose, bowed from where he stood, stared round at the empty hall--a dreadful, strained, defiant smile stiffening upon his face--and sinking back upon his stool, laid his arms across the keyboard with a crash of notes, burying his head upon them.

In a moment Jenny was out of her seat. There were chairs in her way, and she kicked them aside; raked one forward with her foot, and scrambled on to the platform; then, catching a sideways glimpse of the empty seats, bent forward and shook her fist at them.

"Beasts! Pigs! A-a-a-ah!--You!"

The attendants had disappeared, the stranger was lost in shadows. There was nobody there but themselves: it would not have mattered if there had been: all the lords and ladies, all the swells in the world, would not have mattered. The great empty hall, suddenly friendly, closed, curving, around them.

Jenny dropped upon her knees at Ben's side, and flung her arms about him, with little moans of love and pity; slid one hand beneath his cheek, with a muffled roll of notes, raised his head and pressed it against her heart.

"There, my dear! There, my love--there--there--there!"

She laid her lips to his thick dark hair, in a passion of adoration, loving every lock of it; and then, woman-like, picked a white thread from off his black coat; clasped him afresh, with joy and sorrow like runnels of living water pouring through and through her.

"There, there, there, there!"

He was too much of a child to fight against her: all his pride was gone. "Oh, Jenny, Jenny, Jenny!" he cried; then, in an extremity of innocent anguish, amazement--

"They didn't come! They don't care--they don't want it! Jenny, they don't want it!"

"Don't you worry about them there blighters, my darling. Selfish pigs! they ain't not worth a thought. Don't you worry about them."

"But--Beethoven...."

"Don't you worry about Beethoven, neifer--ain't no better nor he oughter be, taeke my word fur it. Lettin' you in like this 'ere! There--there--there, my dear!"

They clung together, weeping, rocking to and fro. "Well," said the man in the gallery, "I'm jiggered!" and crept out very softly, stumbling a little because of the damp air which seemed to have got into his eyes and made them smart.

As the lovers came out into the little vestibule, clinging to each other, they did not so much as see the stranger, who stood talking to the man in the box-office, but went straight on out into the rain, with their umbrellas unopened in their hands.

"A good thing as the 'all people insists upon payment in advance," remarked the man in the box-office.

The other gave him a curious, half-contemptuous glance. "I'd like to hear you say that in a year's time."

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