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Her efforts with Mrs. Cohen had delayed her; she was driven desperate by that cruel malice of inanimate things: every 'bus and tram was against her, whisking out of sight just as she wanted them, or blocked by slow crawling carts and lorries. There was a tight, hard pain in her heart, like toothache, round which her whole body gathered, pressing, impaled upon it; a sense of desperation, and yet at the heart of this, like a nerve, the wonder if anything really mattered. Ben had promised to reserve seats for his mother and herself; but had he?--Had he? Would she find the place blocked by swells with their hard stare, duchesses and such-like, glistening in diamonds? In her mind's eye she saw billows of silk, slabs of black cloth and shining white shirt-fronts--hundreds and hundreds of them. And Ben bowing, bowing to them as she had taught him to do. For some time past he had been so far away, so detached that she was haunted by the fear that if she put out a finger to touch him it might go through him, as though he were a ghost. At times she had caught him, held him to her in a passion of love and longing. But even then, with his head against her heart, his lips, or some pulse or nerve, had moved in a wordless tune, the beat of time. If only he had still seemed to need her, nothing, nothing would have mattered. But he didn't: he needed no one--no one. He seemed so frail, she had made sure that he wanted looking after; but he didn't. A drunkard might have fallen down in the street, needed fetching, supporting, exhorting; a bully come home with a broken head. But it seemed as though Ben were, in reality, for all his air of appeal, sufficient to himself, moving like a steady light through the darkness; unstirred by so much as a breath of wind. Overcome by anxiety, she got out of the tram too soon. It had begun to rain, a dull, dark night, and there was a blur of misty light flooding the pavement a little way ahead. That must be the hall. She was afraid of over-shooting the mark. Those trams had such a way of getting going just as one wanted to be out of them! But the light was nothing more than a cinema, and she she had a good quarter of a mile to walk in the wet. The cruel wet!--just like it to be wet on this night of all nights! Even her optimism was gone. She kept on thinking of Mrs. Cohen, her flushed face and oddly-glazed eyes; the queer stiff way in which she moved, held her head. For once she was angry with Ben. "'Im and his crowds,' 'Im an' 'is fine lydies! 'Im an' 'is motor-cars!" After all, she did overshoot her mark; on inquiry for the hall, she was told that she had passed it, and was obliged to retrace her steps. No wonder she had passed it; with all she had expected at the back of her mind! The strip of pavement outside was dark, with not so much as a single taxi in sight; the door half-shut, the dreary vestibule badly-lighted, empty, smelling of damp. The sodden-looking sketch of a man in the pay-box seemed half asleep; stretched, yawned when she spoke, pushing a strip of pink paper towards her as she gave her name. "For two." He poked out a long neck and peered round the edge of the box, like a tortoise from its shell. "The other lydy wasn't not able ter come ter-night," answered Jenny with dignity, and the beast grinned, displaying a wreckage of broken teeth. "Ain't not what you might call a crowd, anyway," he remarked. She could have killed him for that! She realised the white face of a clock, but she would not look at it. She was early, that was it. Look how she had hurried. No wonder that she was early. And great ladies were always late: she had learnt that from the Daily Mail stories. "Two an' two make four--them too late an' me too early!" she said to herself, with a gallant effort after her own brisk way of taking things, a surer tap of heels on the stone floor as she turned towards a swing-door to her left; pushed it open, and was hit in the face by what seemed like a thick black curtain. A dim white-gloved hand was thrust through it and took her ticket. "Mind you don't fall--no good wasting the lights until they come--if ever they does come," exhorted and explained a voice out of the darkness; for, after all, it was not a curtain, but just darkness. At first Jenny could see nothing. Then, little by little, it seemed as though different objects crept forward, one by one, like wild animals from their lair. Those white patches, the hands of two white-gloved men, holding sheaves of programmes--she realised one between her own fingers--whispering together. There was the platform, the great piano sprawling over it; and in front of this, rows and rows and rows--and rows upon rows--of empty seats. She looked behind her--they had argued long over the question of places for herself and his mother. "The very best," that's what Ben had said; but they fought against this, fought and conquered, for the best seats meant money. "What's a seat more or less, I'd like to know?" "Money, all money." Old Mrs. Cohen had been firm upon this point. Still, there were a great many seats yet further back--and all empty: a little raised, seeming to push themselves forward with the staring vacuity of an idiot: more seats overhead in a curving balcony, rising above each other as though proud of their emptiness. It would have been impossible to believe that mere vacant places could wear so sinister, as well as foolish, an aspect. An idiot, but a cruel idiot, too: the whole thing one cruel idiot, of the sort that likes to pull legs from flies. There was a clock there, also. For a long while Jenny would not allow herself to look at it. But something drew her, until it became an unbearable effort to keep her eyes away from it, to look anywhere else; and at last she turned her head, stared, sharply, defiantly, as though daring it. It was five-and-twenty minutes to nine. Five-and-twenty minutes to nine, and the concert was to have begun at eight!--Five-and-twenty minutes to nine, and there was no one there--no one whatever! The clock hands dragged themselves on for another five-minutes; then one of the men disappeared behind the scene; came back, speaking excitedly, gesticulating with white hands: "We're to turn on the light. 'E swears as 'e won't give it up--'e's goin' ter play." "Goin' ter play? Well, I'll be blowed!--Goin' ter play! An' with nothing 'ere but That" Jenny saw how he jerked his head in her direction. So she was "That"--she, Jenny Bligh!--and so far gone that she did not even care. As the lights went up the hall seemed to swim in a sort of mist: the terra-cotta walls, the heavy curtains at either side of the platform, those awful empty seats! Jenny spread her skirt wide, catching at the chair to either side of her, stretching out her arms along the backs of them. She had a wild feeling as though it were up to her to spread herself sufficiently to cover them all. She half rose. Perhaps she could hide more of that emptiness if she moved nearer to the front: that was her thought.
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