The Song

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Peace was shattered at a blast by the ringing of the front door bell. Then light streamed from the opened bedroom door, was switched off, and Kitty ran into the darkish hall. She clicked on the light by the front door, opened the door, and the big man came in.

He kissed her on the mouth.

Then Charlie stepped from beside the coat cupboard, suddenly as though some strong spring which held him there had been released, and the strong spring was in his tense body alone. For the first time in his life he felt all steel and wire and whipcord, and many fires. He threw himself on the intruder and fought for his woman.

Kitty did not scream. She knew better.

"Oh Charlie!" she panted. "For ---- sake go! Go! I can't have a row here. Oh, Charlie, be a good boy, do."

"He shall go," said the other man.

He was a big man; and still young and lithe. Kitty opened the front door, whispering: "Oh, Charlie! Oh! Charlie!" and the man pushed Charlie out. The lift was not working at the moment, the landing was quiet, there was not a soul on the stairway beside the liftshaft when the man flung Charlie headlong down the first flight and broke him on the unyielding stone.

Charlie heard his own spine crack; but as the other, scared and pale, reached him, he heard something else also; the voice of Kitty, who stood above them, looking down, sobbing: "I c-c-can't have a row here. It'd break me. Oh! Charlie! Oh Charlie! If you love me, go away!"

Charlie loved Kitty very much. "My back's broken," he whispered to the enemy bending over him. "But if you get me under the armpits, lift me down the stairs, and put me into the street, and if the hall-porter sees us go out tell him I'm dead drunk----"

The man lifted him as instructed, an arm round him, just under the shoulder-blades and armpits. Below he could feel the crumpled weight sway and sag. He tried to be merciful in his handling. "D-d-do you no g-g-good," he faltered as he lifted Charlie downstairs, "t-to get me into a mess. I'm sorry. D-d-didn't mean.... But I've got a wife and don't want hell raised.... You asked for it.... I'm sorry. I'm sorry...." When they reached the ground floor the single-handed porter was just carrying a passenger in the lift to the floor above, so they got unobserved into the street, a quietish street, a cul-de-sac.

"Take me a f-f-few d-d-doors off, and put me down," said Charlie, and the sweat of pain ran down his face, but when the man had put him down against some area railings, and laid him straight, he was comfortable.

The other man simply vanished.

A taxi-driver found Charlie by-and-by, and the police fetched an ambulance and took him to the hospital, and in a white bed he lay sleepily, revealing nothing, all that night. But they found, searching for an address in his pockets, the address of his family, and they sent a message to his wife.

His wife received it early the next morning, and first she sent Maud for Uncle Henry and Aunt, who found that all was turning out as they prophesied, save for the slight deviation of Charlie's accident.

"They don't say exactly how bad he is?" said Uncle Henry. "Ah! but he was well enough to send for you! He knows which side his bread's buttered. Yes! we shall have Master Charles creeping back again, very thankful to be in his home with every comfort, nursed by you; and I will give him the worse talking to be has ever had in his life!"

"And if he's ill he can't prevent the Vicar visiting him too," said Aunt.

So Charlie's wife set out to do her duty.

But still earlier that morning, instructed by the tremendous peace which was stealing over him that time was short, Charlie was making his first request. Would they please ring up Shaftesbury 84 to ask for "Kitty" and tell her "Charlie" just wanted to see her very urgently for a few minutes at once, but not to be frightened, for everything would be perfectly all right?

Pending her arrival, which in a faltering voice over the phone she promised as soon as possible, Charlie asked the kindly Sister who was hovering near to help him die:

"Sister, when a friend of mine comes in, a young lady who isn't used to--to seeing--things, if I go off suddenly as it were-what I'm afraid of is, she may be afraid if there's any kind of struggle--I saw a fellow die once and he gave a sort of rattle--well, will you just pull the bed-clothes up over me, so that she doesn't see?"

Kitty came in, wearing, perhaps incidentally, perhaps by some grace of kindness, the woollen frock, and she crept, shaking, round the screen, and stood beside Charlie, and said, "Oh Charlie! Oh Charlie!" opening his closing eyes.

"Kitty!" he smiled, "sing 'Bubbles.'"

The look Sister--who had taken her right in--gave her, pried Kitty's trembling mouth open like a crowbar, and leaning against Charlie's cot she sang--

  "When shadows creep,
  When I'm asleep,
  To lands of hope I stray,
  Then at daybreak, when I awake...."

The Sister drew the bed-clothes shadily round Charlie's face.

  "... My blue bird flutters away,
  I'm forever blowing bubbles....
  Pretty bubbles in the air...."

Just then the good woman was brought into the ward, bearing with her messages from Maud worthy of Little Eva herself; and full of holy forgiveness; and at edge of the screen Sister met her.

"His wife?" said Sister. "A moment too late. I am sorry." The good woman was looking at the bad woman by the bed, so Sister made a vague explanation.

"He just wanted a song," she said.

 

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