SCENE I. The woods. Before Timon's
cave
Enter Poet and Painter; TIMON watching them from his cave
Painter
As I took note of the place, it cannot be far where
he abides.
Poet
What's to be thought of him? does the rumour hold
for true, that he's so full of gold?
Painter
Certain: Alcibiades reports it; Phrynia and
Timandra had gold of him: he likewise enriched poor
straggling soldiers with great quantity: 'tis said
he gave unto his steward a mighty sum.
Poet
Then this breaking of his has been but a try for his friends.
Painter
Nothing else: you shall see him a palm in Athens
again, and flourish with the highest. Therefore
'tis not amiss we tender our loves to him, in this
supposed distress of his: it will show honestly in
us; and is very likely to load our purposes with
what they travail for, if it be a just true report
that goes of his having.
Poet
What have you now to present unto him?
Painter
Nothing at this time but my visitation: only I will
promise him an excellent piece.
Poet
I must serve him so too, tell him of an intent
that's coming toward him.
Painter
Good as the best. Promising is the very air o' the
time: it opens the eyes of expectation:
performance is ever the duller for his act; and,
but in the plainer and simpler kind of people, the
deed of saying is quite out of use. To promise is
most courtly and fashionable: performance is a kind
of will or testament which argues a great sickness
in his judgment that makes it.
TIMON comes from his cave, behind
TIMON
[Aside] Excellent workman! thou canst not paint a
man so bad as is thyself.
Poet
I am thinking what I shall say I have provided for
him: it must be a personating of himself; a satire
against the softness of prosperity, with a discovery
of the infinite flatteries that follow youth and opulency.
TIMON
[Aside] Must thou needs stand for a villain in
thine own work? wilt thou whip thine own faults in
other men? Do so, I have gold for thee.
Poet
Nay, let's seek him:
Then do we sin against our own estate,
When we may profit meet, and come too late.
Painter
True;
When the day serves, before black-corner'd night,
Find what thou want'st by free and offer'd light. Come.
TIMON
[Aside] I'll meet you at the turn. What a
god's gold,
That he is worshipp'd in a baser temple
Than where swine feed!
'Tis thou that rigg'st the bark and plough'st the foam,
Settlest admired reverence in a slave:
To thee be worship! and thy saints for aye
Be crown'd with plagues that thee alone obey!
Fit I meet them.
Coming forward
Poet
Hail, worthy Timon!
Painter
Our late noble master!
TIMON
Have I once lived to see two honest men?
Poet
Sir,
Having often of your open bounty tasted,
Hearing you were retired, your friends fall'n off,
Whose thankless natures--O abhorred spirits!--
Not all the whips of heaven are large enough:
What! to you,
Whose star-like nobleness gave life and influence
To their whole being! I am rapt and cannot cover
The monstrous bulk of this ingratitude
With any size of words.
TIMON
Let it go naked, men may see't the better:
You that are honest, by being what you are,
Make them best seen and known.
Painter
He and myself
Have travail'd in the great shower of your gifts,
And sweetly felt it.
TIMON
Ay, you are honest men.
Painter
We are hither come to offer you our service.
TIMON
Most honest men! Why, how shall I requite you?
Can you eat roots, and drink cold water? no.
Both
What we can do, we'll do, to do you service.
TIMON
Ye're honest men: ye've heard that I have gold;
I am sure you have: speak truth; ye're honest men.
Painter
So it is said, my noble lord; but therefore
Came not my friend nor I.
TIMON
Good honest men! Thou draw'st a counterfeit
Best in all Athens: thou'rt, indeed, the best;
Thou counterfeit'st most lively.
Painter
So, so, my lord.
TIMON
E'en so, sir, as I say. And, for thy fiction,
Why, thy verse swells with stuff so fine and smooth
That thou art even natural in thine art.
But, for all this, my honest-natured friends,
I must needs say you have a little fault:
Marry, 'tis not monstrous in you, neither wish I
You take much pains to mend.
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