As You Like It: Act 5

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SCENE I. The forest

Enter TOUCHSTONE and AUDREY

TOUCHSTONE
We shall find a time, Audrey; patience, gentle Audrey.

AUDREY
Faith, the priest was good enough, for all the old gentleman's saying.

TOUCHSTONE
A most wicked Sir Oliver, Audrey, a most vile Martext. But, Audrey, there is a youth here in the forest lays claim to you.

AUDREY
Ay, I know who 'tis; he hath no interest in me in the world: here comes the man you mean.

TOUCHSTONE
It is meat and drink to me to see a clown: by my troth, we that have good wits have much to answer for; we shall be flouting; we cannot hold.

Enter WILLIAM

WILLIAM
Good even, Audrey.

AUDREY
God ye good even, William.

WILLIAM
And good even to you, sir.

TOUCHSTONE
Good even, gentle friend. Cover thy head, cover thy head; nay, prithee, be covered. How old are you, friend?

WILLIAM
Five and twenty, sir.

TOUCHSTONE
A ripe age. Is thy name William?

WILLIAM
William, sir.

TOUCHSTONE
A fair name. Wast born i' the forest here?

WILLIAM
Ay, sir, I thank God.

TOUCHSTONE
'Thank God;' a good answer. Art rich?

WILLIAM
Faith, sir, so so.

TOUCHSTONE
'So so' is good, very good, very excellent good; and yet it is not; it is but so so. Art thou wise?

WILLIAM
Ay, sir, I have a pretty wit.

TOUCHSTONE
Why, thou sayest well. I do now remember a saying, 'The fool doth think he is wise, but the wise man knows himself to be a fool.' The heathen philosopher, when he had a desire to eat a grape, would open his lips when he put it into his mouth; meaning thereby that grapes were made to eat and lips to open. You do love this maid?

WILLIAM
I do, sir.

TOUCHSTONE
Give me your hand. Art thou learned?

WILLIAM
No, sir.

TOUCHSTONE
Then learn this of me: to have, is to have; for it is a figure in rhetoric that drink, being poured out of a cup into a glass, by filling the one doth empty the other; for all your writers do consent that ipse is he: now, you are not ipse, for I am he.

WILLIAM
Which he, sir?

TOUCHSTONE
He, sir, that must marry this woman. Therefore, you clown, abandon,--which is in the vulgar leave,--the society,--which in the boorish is company,--of this female,--which in the common is woman; which together is, abandon the society of this female, or, clown, thou perishest; or, to thy better understanding, diest; or, to wit I kill thee, make thee away, translate thy life into death, thy liberty into bondage: I will deal in poison with thee, or in bastinado, or in steel; I will bandy with thee in faction; I will o'errun thee with policy; I will kill thee a hundred and fifty ways: therefore tremble and depart.

AUDREY
Do, good William.

WILLIAM
God rest you merry, sir.

Exit

Enter CORIN

CORIN
Our master and mistress seeks you; come, away, away!

TOUCHSTONE
Trip, Audrey! trip, Audrey! I attend, I attend.

Exeunt

SCENE II. The forest

Enter ORLANDO and OLIVER

ORLANDO
Is't possible that on so little acquaintance you should like her? that but seeing you should love her? and loving woo? and, wooing, she should grant? and will you persever to enjoy her?

OLIVER
Neither call the giddiness of it in question, the poverty of her, the small acquaintance, my sudden wooing, nor her sudden consenting; but say with me, I love Aliena; say with her that she loves me; consent with both that we may enjoy each other: it shall be to your good; for my father's house and all the revenue that was old Sir Rowland's will I estate upon you, and here live and die a shepherd.

ORLANDO
You have my consent. Let your wedding be to-morrow: thither will I invite the duke and all's contented followers. Go you and prepare Aliena; for look you, here comes my Rosalind.

Enter ROSALIND

ROSALIND
God save you, brother.

OLIVER
And you, fair sister.

Exit

ROSALIND
O, my dear Orlando, how it grieves me to see thee wear thy heart in a scarf!

ORLANDO
It is my arm.

 

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