Note 30.
MRS. LOUISE BRUN. Louise Gulbrandsen was born in Bergen, December
16, 1831, and died in Christiania, January 21, 1866. In childhood
she knew the narrowness and darkness of poverty. Made her first
appearance as an actress at the opening performance of Ole Bull's
theater in Bergen, January 2, 1850, when she also recited the
Prologue. An attractive personality, a voice clear and flexible both
in speech and song, and unusual mentality made her the most talented
actress of her time in Norway. Her power was comprehensive; she
began with romantic parts and always liked these best, though later
she was distinguished in conversation-plays. In 1851 she married
Johannes Brun, Norway's most gifted comedian. They came to
Christiania in April, 1857. A picture drawn from life, etc., refers
to the romantic drama, The Sisters at Kinnekullen, of the Dane,
Carsten Hauch (1790-1872). It was his most frequently performed
play, dealing with the mysterious power of gold over the human mind,
as something demonic in the servitude it imposes. It had recently
been played with Mrs. Brun in the part of Ulrika.
He, who from fairy-tale, etc. Ole Bull, see Note 19. Thus is
introduced here a poetical history and eulogy of Ole Bull's
Norwegian Theater.
Note 31.
TO JOHAN DAHL, BOOKDEALER. Johan Fjeldsted Dahl was born in
Copenhagen, January 1, 1807, and died in Christiania, March 16,
1877. He came to Christiania in 1829, and established in 1832 a
business of his own, both publishing and selling. In the mercantile,
social, literary, and artistic life of the city he came to have an
important place and influence. Dahl had published Norway's Dawn, by
Welhaven, and in the time of the Wergeland-Welhaven conflict (see
Note 36, and as to Wergeland, Note 78) a violent personal quarrel
developed between Wergeland and Dahl about an entirely unimportant
matter. Dahl had provided his porter with a green livery having red
borders. Wergeland, who regarded Dahl as the leading representative
of the "Copenhagenism" (Danish, anti-Norwegian tendencies) he was
contending against, had an epigram printed, The Servant in Livery,
and insulted the porter on the street. This led to a slashing
newspaper feud between Wergeland and Dahl. After everybody's
feelings had grown calmer, Wergeland wrote about the burlesque
occurrence in a farce entitled The Parrot, and Dahl had humor
enough, himself to publish this satirical skit.
The light from his shop. Wergeland derisively styled Dahl's store
"the first slander-shop of the city;" it was, in face, the meeting-
place of the "party of intelligence," those interested in European
culture and esthetic criticism, i.e., it was the resort of those
opposed to Wergeland.
Note 32.
TO SCULPTOR BORCH. Christopher Borch (1817-1896) was a lifelong
friend, of whom in 1857 Björnson wrote in letter: "The most
childlike, natural man I know, with his even, light walk, and his
fine, small hands," and "there is poetry in that man. Oh, how you
have misunderstood him!" It was this friend who, about the same
time as these letters were written, helped Björnson open his spirit
to the influence of Grundtvig (see Note 57). Borch for many years
gave free instruction to convicts in the Akershus prison in drawing
and other subjects, and so helped them to a future when they came
out.
Note 33.
CHOICE. A Danish publisher issued a calendar with poems on the
months by different Scandinavian poets. When Björnson was invited to
contribute, all the other months were already written up or
assigned, and only April was left.
Note 34.
NORWEGIAN SEAMEN'S SONG.
Saint Olaf's Cross. Of the insignia of the Royal Norwegian Order of
St. Olaf, founded in 1847 by King Oskar I; the characteristic
feature is a white cross.
Hafursfjord's great day (see Note 5), near Stavanger.
Note 35.
HALFDAN KJERULF was born September 15, 1815, and died August 11,
1868. He early showed talent for music, and though he had to study
law from 1834 on, he yet studied and wrote music with a crushing
sense of lack of knowledge and opportunity. He was dangerously ill
in 1839, and always weak physically. His father died in 1840, and
Kjerulf then began to earn his living by music. A stipend received
in 1850 enabled him to go to Leipzig for a year. In 1851 he settled
in Christiania as a teacher of music, where for the rest of his life
his influence as a composer was most important. His compositions
are all of the lesser forms; his best work was done from 1860 to
1865. He was in general a pioneer of modern Norwegian music, and one
of the first to draw from the inexhaustible fountain of folk-music.
He wrote exquisite music for many songs of Welhaven, Wergeland, Moe,
Björnson, and others.
Note 36.
NORWEGIAN STUDENTS' GREETING TO PROFESSOR WELHAVEN. Johan Sebastian
Cammermeyer Welhaven was born December 22, 1807, lived from 1828 in
Christiania, was lector from 1840 to 1846, and from 1846 to 1868
professor of philosophy in the University; he died October 21, 1873.
His poetical works were: Norway's Dawn, 1834; Poems, 1839; New
Poems, 1845; Half a Hundred Poems, 1848; Pictures of Travel and
Poems, 1851; A Collection of Poems, 1860. A polemical writer, gifted
with wit and fine taste, and a social-political author, Welhaven
represented in his earlier period the "party of intelligence"" over
against the chauvinism of the radical Peasant party of Wergeland
(see Note 78). He was an adherent of Danish culture and of the
esthetic view of art and life, who hated all national exclusiveness
and showed a love of his country no less true and intense
than Wergeland's by chastising the Norwegians of his time for their
big, empty words and their crass materialism. For this he was
rewarded with abuse, and called "traitor to his country" and
"matricide." In reality Welhaven was a dreamer, a worshiper of
nature, a man of tender feeling. His subjective lyric poetry is not
surpassed in richness of content and beauty of form by that of any
other Norwegian. Outside of his ordinary University duties Welhaven
was also active; he was a favorite speaker at student festivities
and musical festivals, notably at the Student Meetings in Upsala,
1856, and in Copenhagen, 1862. But early in 1864 his health failed
and he was unable thereafter to lecture regularly. In August, 1868,
he requested to be retired; on September 24, the University
Authorities granted his request and a pension at the highest rate;
but the Storting, on November 12, reduced this to two-thirds of the
amount proposed. The same day the students brought to Professor
Welhaven their farewell greeting, marching with flags to his
residence, where this poem of homage was sung.
Note 37.
FORWARD. The composer Grieg and his wife spent Christmas Eve, 1868,
with Björnson's family in Christiania. Grieg, who then gave to
Björnson a copy of the first part of his Lyriske Smaastykker, has
written the following account of the origin of this poem: "Among
these was one with the title 'Fatherland's Song.' I played this for
Björnson, who liked it so well that he said he wanted to write words
for it. That made me glad, although afterwards I said to myself: It
probably will remain a want, he has other things to think of. But
the very next day I met him in full creative joy: 'It's going
excellently. It shall be a song for all the youth of Norway. But
there is something at the beginning that I haven't yet got hold of
-- a certain wording. I feel that the melody demands it, and I
shall not give it up. It must come.' Then we parted. The next
forenoon, as I was giving a piano lesson to a young lady, I heard a
ring at the entry-door, as if the whole bell apparatus would rattle
down; then a noise as of wild hordes breaking in and a roar;
'Forward! Forward! Now I have it! Forward!' My pupil trembled like
an aspen leaf. My wife in the next room was frightened out of her
wits. But when the door flew open and Björnson stood there,
glad and shining like a sun, there was a general jubilee, and we
were the first to hear the beautiful new poem."
Note 38.
THE MEETING. The Student Meetings, i.e., conventions of university
students in the three countries, were originally an important part
of "Scandinavism" (see Note 21). The first was held in 1843; that of
1862 was the last to have a distinctly political character.
After 1864 the chief aim of these gatherings was to improve the
position and strengthen the influence of the student in the
community. In 1869 Christiania invited the Danish students to meet
there with their Swedish and Norwegian comrades, in the interest of
culture, better acquaintance with one another, people, and land, and
cooperation in general for the future of the kingdoms.
Gjallar-horn, Heimdall's horn, to be blown especially at the
beginning of Ragnarok, symbolical here of the painful passing of the
old order, which ushers in a new world.
Note 39.
NORSE NATURE. See note to the preceding poem.
King Halfdan the Black (died 860) was the father of Harald
Fairhair. It was said of him that he once dreamed he had the most
beautiful hair one could see, luxuriant locks of various lengths and
colors, but one of them larger, brighter, and fairer than all the
others. This was interpreted to mean that King Halfdan would have
many descendants, and they would rule Norway with great honor; but
one of them would surpass the others, and later this was said to be
Olaf the Saint.
Nore, the largest mountain of Ringerike.
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