|
| 1 2 3 4 5 | |
[46] Many a train of thought, many a turn of expression, only too familiar, some may think, to the reader of Plato, are summarised in that troublesome yet perhaps attractive passage. The influence then of Parmenides on Plato had made him, incurably (shall we say?) a dualist. Only, practically, Plato's richly coloured genius will find a compromise between the One which alone really is, is yet so empty a thought for finite minds; and the Many, which most properly is not, yet presses so closely on eye and ear and heart and fancy and will, at every moment. That which really is (to on)+ the One, if he is really to think about it at all, must admit within it a certain variety of members; and, in effect, for Plato the true Being, the Absolute, the One, does become delightfully multiple, as the world of ideas-- appreciable, through years of loving study, more and more clearly, one by one, as the perfectly concrete, mutually adjusted, permanent forms of our veritable experience: the Bravery, for instance, that cannot be confused, not merely with Cowardice, but with Wisdom, or Humility. One after another they emerge again from the dead level, the Parmenidean tabula rasa, with nothing less than the reality of persons face to face with us, of a personal identity. It was as if the firm plastic outlines of the delightful old Greek polytheism had found their way back after all into a repellent monotheism. Prefer as he may in theory that [47] blank white light of the One--its sterile, "formless, colourless, impalpable," eternal identity with itself--the world, and this chiefly is why the world has not forgotten him, will be for him, as he is by no means colour-blind, by no means a colourless place. He will suffer it to come to him, as his pages convey it in turn to us, with the liveliest variety of hue, as in that conspicuously visual emblem of it, the outline of which (essentially characteristic of himself as it seems) he had really borrowed from the old Eleatic teacher who had tried so hard to close the bodily eye that he might the better apprehend the world unseen.--
And now (he writes in the seventh book of The Republic) take for a figure of human nature, as regards education and the lack thereof, some such condition as this. Think you see people as it were in some abode below-ground, like a cave, having its entrance spread out upwards towards the light, broad, across the whole cavern. Suppose them here from childhood; their legs and necks chained; so that there they stay, and can see only what is in front of them, being unable by reason of the chain to move their heads round about: and the light of a fire upon them, blazing from far above, behind their backs: between the fire and the prisoners away up aloft: and see beside it a low wall built along, as with the showmen, in front of the people lie the screens above which they exhibit their wonders. [48] Metaphysical formulae have always their practical equivalents. The ethical alliance of Heraclitus is with the Sophists, and the Cyrenaics or the Epicureans; that of Parmenides, with Socrates, and the Cynics or the Stoics. The Cynic or Stoic ideal of a static calm is as truly the moral or practical equivalent of the Parmenidean doctrine of the One, as the Cyrenaic monochronos hêdonê+--the pleasure of the ideal now--is the practical equivalent of the doctrine of motion; and, as sometimes happens, what seems hopelessly perverse as a metaphysic for the understanding is found to be realisable enough as one of many phases of our so flexible human feeling. The abstract philosophy of the One might seem indeed to have been translated into the terms of a human will in the rigid, disinterested, renunciant career of the emperor Marcus Aurelius, its mortal coldness. Let me however conclude with a document of the Eleatic temper, nearer in its origin to the age of Plato: an ancient fragment of Cleanthes the Stoic, which has justly stirred the admiration of Stoical minds; though truly, so hard is it not to lapse from those austere heights, the One, the Absolute, has become in it after all, with much varied colour and detail in his relations to concrete things and persons, our father Zeus.
|
||
|
| 1 2 3 4 5 | |