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f[1] A contemporary orator apparently, otherwise unknown.
LAMACHUS
DICAEOPOLIS
LAMACHUS
DICAEOPOLIS
CHORUS Never since our poet presented Comedies, has he praised himself upon the stage; but, having been slandered by his enemies amongst the volatile Athenians, accused of scoffing at his country and of insulting the people, to-day he wishes to reply and regain for himself the inconstant Athenians. He maintains that he has done much that is good for you; if you no longer allow yourselves to be too much hoodwinked by strangers or seduced by flattery, if in politics you are no longer the ninnies you once were, it is thanks to him. Formerly, when delegates from other cities wanted to deceive you, they had but to style you, "the people crowned with violets," and at the word "violets" you at once sat erect on the tips of your bums. Or if, to tickle your vanity, someone spoke of "rich and sleek Athens," in return for that "sleekness" he would get all, because he spoke of you as he would have of anchovies in oil. In cautioning you against such wiles, the poet has done you great service as well as in forcing you to understand what is really the democratic principle. Thus, the strangers, who came to pay their tributes, wanted to see this great poet, who had dared to speak the truth to Athens. And so far has the fame of his boldness reached that one day the Great King, when questioning the Lacedaemonian delegates, first asked them which of the two rival cities was the superior at sea, and then immediately demanded at which it was that the comic poet directed his biting satire. "Happy that city," he added, "if it listens to his counsel; it will grow in power, and its victory is assured." This is why the Lacedaemonians offer you peace, if you will cede them Aegina; not that they care for the isle, but they wish to rob you of your poet.[2] As for you, never lose him, who will always fight for the cause of justice in his Comedies; he promises you that his precepts will lead you to happiness, though he uses neither flattery, nor bribery, nor intrigue, nor deceit; instead of loading you with praise, he will point you to the better way. I scoff at Cleon's tricks and plotting; honesty and justice shall fight my cause; never will you find me a political poltroon, a prostitute to the highest bidder. I invoke thee, Acharnian Muse, fierce and fell as the devouring fire; sudden as the spark that bursts from the crackling oaken coal when roused by the quickening fan to fry little fishes, while others knead the dough or whip the sharp Thasian pickle with rapid hand, so break forth, my Muse, and inspire thy tribesmen with rough, vigorous, stirring strains. We others, now old men and heavy with years, we reproach the city; so many are the victories we have gained for the Athenian fleets that we well deserve to be cared for in our declining life; yet far from this, we are ill-used, harassed with law-suits, delivered over to the scorn of stripling orators. Our minds and bodies being ravaged with age, Posidon should protect us, yet we have no other support than a staff. When standing before the judge, we can scarcely stammer forth the fewest words, and of justice we see but its barest shadow, whereas the accuser, desirous of conciliating the younger men, overwhelms us with his ready rhetoric; he drags us before the judge, presses us with questions, lays traps for us; the onslaught troubles, upsets and ruins poor old Tithonus, who, crushed with age, stands tongue-tied; sentenced to a fine,[3] he weeps, he sobs and says to his friend, "This fine robs me of the last trifle that was to have bought my coffin." Is this not a scandal? What! the clepsydra[4] is to kill the white-haired veteran, who, in fierce fighting, has so oft covered himself with glorious sweat, whose valour at Marathon saved the country! 'Twas we who pursued on the field of Marathon, whereas now 'tis wretches who pursue us to the death and crush us! What would Marpsias reply to this?[5] What an injustice that a man, bent with age like Thucydides, should be brow-beaten by this braggart advocate, Cephisodemus,[6] who is as savage as the Scythian desert he was born in! Is it not to convict him from the outset? I wept tears of pity when I saw an Archer[7] maltreat this old man, who, by Ceres, when he was young and the true Thucydides, would not have permitted an insult from Ceres herself! At that date he would have floored ten orators, he would have terrified three thousand Archers with his shouts; he would have pierced the whole line of the enemy with his shafts. Ah! but if you will not leave the aged in peace, decree that the advocates be matched; thus the old man will only be confronted with a toothless greybeard, the young will fight with the braggart, the ignoble with the son of Clinias;[8] make a law that in the future, the old man can only be summoned and convicted at the courts by the aged and the young man by the youth.
f[1] The 'parabasis' in the Old Comedy was a sort of address or topical
harangue addressed directly by the poet, speaking by the Chorus,
to the audience. It was nearly always political in bearing, and the subject
of the particular piece was for the time being set aside altogether.
DICAEOPOLIS
f[1] The leather market was held in Lepros, outside the city.
A MEGARIAN
DAUGHTERS
MEGARIAN
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