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Maggie's people, the Schofields, lived in the large gardener's cottage, that was half a farm, behind Belcote Hall. The hall was too damp to live in, so the Schofields were caretakers, gamekeepers, farmers, all in one. The father was gamekeeper and stock-breeder, the eldest son was market-gardener, using the big hall gardens, the second son was farmer and gardener. There was a large family, as at Cossethay. Ursula loved to stay at Belcote, to be treated as a grand lady by Maggie's brothers. They were good-looking men. The eldest was twenty-six years old. He was the gardener, a man not very tall, but strong and well made, with brown, sunny, easy eyes and a face handsomely hewn, brown, with a long fair moustache which he pulled as he talked to Ursula. The girl was excited because these men attended to her when she came near. She could make their eyes light up and quiver, she could make Anthony, the eldest, twist and twist his moustache. She knew she could move them almost at will with her light laughter and chatter. They loved her ideas, watched her as she talked vehemently about politics or economics. And she, while she talked, saw the golden-brown eyes of Anthony gleam like the eyes of a satyr as they watched her. He did not listen to her words, he listened to her. It excited her. He was like a faun pleased when she would go with him over his hothouses, to look at the green and pretty plants, at the pink primulas nodding among their leaves, and cinarrias flaunting purple and crimson and white. She asked about everything, and he told her very exactly and minutely, in a queer pedantic way that made her want to laugh. Yet she was really interested in what he did. And he had the curious light in his face, like the light in the eyes of the goat that was tethered by the farmyard gate. She went down with him into the warmish cellar, where already in the darkness the little yellow knobs of rhubarb were coming. He held the lantern down to the dark earth. She saw the tiny knob-end of the rhubarb thrusting upwards upon the thick red stem, thrusting itself like a knob of flame through the soft soil. His face was turned up to her, the light glittered on his eyes and his teeth as he laughed, with a faint, musical neigh. He looked handsome. And she heard a new sound in her ears, the faintly-musical, neighing laugh of Anthony, whose moustache twisted up, and whose eyes were luminous with a cold, steady, arrogant-laughing glare. There seemed a little prance of triumph in his movement, she could not rid herself of a movement of acquiescence, a touch of acceptance. Yet he was so humble, his voice was so caressing. He held his hand for her to step on when she must climb a wall. And she stepped on the living firmness of him, that quivered firmly under her weight. She was aware of him as if in a mesmeric state. In her ordinary sense, she had nothing to do with him. But the peculiar ease and unnoticeableness of his entering the house, the power of his cold, gleaming light on her when he looked at her, was like a bewitchment. In his eyes, as in the pale grey eyes of a goat, there seemed some of that steady, hard fire of moonlight which has nothing to do with the day. It made her alert, and yet her mind went out like an extinguished thing. She was all senses, all her senses were alive. Then she saw him on Sunday, dressed up in Sunday clothes, trying to impress her. And he looked ridiculous. She clung to the ridiculous effect of his stiff, Sunday clothes. She was always conscious of some unfaithfulness to Maggie, on Anthony's score. Poor Maggie stood apart as if betrayed. Maggie and Anthony were enemies by instinct. Ursula had to go back to her friend brimming with affection and a poignancy of pity. Which Maggie received with a little stiffness. Then poetry and books and learning took the place of Anthony, with his goats' movements and his cold, gleaming humour. While Ursula was at Belcote, the snow fell. In the morning, a covering of snow weighed on the rhododendron bushes. "Shall we go out?" said Maggie. She had lost some of her leader's sureness, and was now tentative, a little in reserve from her friend. They took the key of the gate and wandered into the park. It was a white world on which dark trees and tree masses stood under a sky keen with frost. The two girls went past the hall, that was shuttered and silent, their footprints marking the snow on the drive. Down the park, a long way off, a man was carrying armfuls of hay across the snow. He was a small, dark figure, like an animal moving in its unawareness. Ursula and Maggie went on exploring, down to a tinkling, chilly brook, that had worn the snow away in little scoops, and ran dark between. They saw a robin glance its bright eyes and burst scarlet and grey into the hedge, then some pertly-marked blue-tits scuffled. Meanwhile the brook slid on coldly, chuckling to itself. The girls wandered across the snowy grass to where the artificial fish-ponds lay under thin ice. There was a big tree with a thick trunk twisted with ivy, that hung almost horizontal over the ponds. Ursula climbed joyfully into this and sat amid bosses of bright ivy and dull berries. Some ivy leaves were like green spears held out, and tipped with snow. The ice was seen beneath them. Maggie took out a book, and sitting lower down the trunk began to read Coleridge's "Christabel". Ursula half listened. She was wildly thrilled. Then she saw Anthony coming across the snow, with his confident, slightly strutting stride. His face looked brown and hard against the snow, smiling with a sort of tense confidence. "Hello!" she called to him. A response went over his face, his head was lifted in an answering, jerking gesture. "Hello!" he said. "You're like a bird in there." And Ursula's laugh rang out. She answered to the peculiar, reedy twang in his penetrating voice. She did not think of Anthony, yet she lived in a sort of connection with him, in his world. One evening she met him as she was coming down the lane, and they walked side by side. "I think it's so lovely here," she cried. "Do you?" he said. "I'm glad you like it." There was a curious confidence in his voice. "Oh, I love it. What more does one want than to live in this beautiful place, and make things grow in your garden. It is like the Garden of Eden." "Is it?" he said, with a little laugh. "Yes---well, it's not so bad----" he was hesitating. The pale gleam was strong in his eyes, he was looking at her steadily, watching her, as an animal might. Something leaped in her soul. She knew he was going to suggest to her that she should be as he was. "Would you like to stay here with me?" he asked, tentatively. She blenched with fear and with the intense sensation of proffered licence suggested to her. They had come to the gate. "How?" she asked. "You aren't alone here." "We could marry," he answered, in the strange, coldly-gleaming insinuating tone that chilled the sunshine into moonlight. All substantial things seemed transformed. Shadows and dancing moonlight were real, and all cold, inhuman, gleaming sensations. She realised with something like terror that she was going to accept this. She was going inevitably to accept him. His hand was reaching out to the gate before them. She stood still. His flesh was hard and brown and final. She seemed to be in the grip of some insult. "I couldn't," she answered, involuntarily. He gave the same brief, neighing little laugh, very sad and bitter now, and slotted back the bar of the gate. Yet he did not open. For a moment they both stood looking at the fire of sunset that quivered among the purple twigs of the trees. She saw his brown, hard, well-hewn face gleaming with anger and humiliation and submission. He was an animal that knows that it is subdued. Her heart flamed with sensation of him, of the fascinating thing he offered her, and with sorrow, and with an inconsolable sense of loneliness. Her soul was an infant crying in the night. He had no soul. Oh, and why had she? He was the cleaner.
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