11. First Love

In her bedroom she threw her arms in the air in clear pain of magnificence. Oh, it was her transfiguration, she was beyond herself. She wanted to fling herself into all the hidden brightness of the air. It was there, it was there, if she could but meet it.

But the next day she knew he had gone. Her glory had partly died down---but never from her memory. It was too real. Yet it was gone by, leaving a wistfulness. A deeper yearning came into her soul, a new reserve.

She shrank from touch and question. She was very proud, but very new, and very sensitive. Oh, that no one should lay hands on her!

She was happier running on by herself. Oh, it was a joy to run along the lanes without seeing things, yet being with them. It was such a joy to be alone with all one's riches.

The holidays came, when she was free. She spent most of her time running on by herself, curled up in a squirrel-place in the garden, lying in a hammock in the coppice, while the birds came near---near---so near. Oh, in rainy weather, she flitted to the Marsh, and lay hidden with her book in a hay-loft.

All the time, she dreamed of him, sometimes definitely, but when she was happiest, only vaguely. He was the warm colouring of her dreams, he was the hot blood beating within them.

When she was less happy, out of sorts, she pondered over his appearance, his clothes, the buttons with his regimental badge, which he had given her. Or she tried to imagine his life in barracks. Or she conjured up a vision of herself as she appeared in his eyes.

His birthday was in August, and she spent some pains on making him a cake. She felt that it would not be in good taste for her to give him a present.

Their correspondence was brief, mostly an exchange of post-cards, not at all frequent. But with her cake she must send him a letter.

"Dear Anton. The sunshine has come back specially for your birthday, I think.

"I made the cake myself, and wish you many happy returns of the day. Don't eat it if it is not good. Mother hopes you will come and see us when you are near enough.

"I am
"Your sincere friend,
"Ursula Brangwen."

It bored her to write a letter even to him. After all, writing words on paper had nothing to do with him and her.

The fine weather had set in, the cutting machine went on from dawn till sunset, chattering round the fields. She heard from Skrebensky; he too was on duty in the country, on Salisbury Plain. He was now a second lieutenant in a Field Troop. He would have a few days off shortly, and would come to the Marsh for the wedding.

Fred Brangwen was going to marry a schoolmistress out of Ilkeston as soon as corn-harvest was at an end.

The dim blue-and-gold of a hot, sweet autumn saw the close of the corn-harvest. To Ursula, it was as if the world had opened its softest purest flower, its chicory flower, its meadow saffron. The sky was blue and sweet, the yellow leaves down the lane seemed like free, wandering flowers as they chittered round the feet, making a keen, poignant, almost unbearable music to her heart. And the scents of autumn were like a summer madness to her. She fled away from the little, purple-red button-chrysanthemums like a frightened dryad, the bright yellow little chrysanthemums smelled so strong, her feet seemed to dither in a drunken dance.

Then her Uncle Tom appeared, always like the cynical Bacchus in the picture. He would have a jolly wedding, a harvest supper and a wedding feast in one: a tent in the home close, and a band for dancing, and a great feast out of doors.

Fred demurred, but Tom must be satisfied. Also Laura, a handsome, clever girl, the bride, she also must have a great and jolly feast. It appealed to her educated sense. She had been to Salisbury Training College, knew folk-songs and morris-dancing.

So the preparations were begun, directed by Tom Brangwen. A marquee was set up on the home close, two large bonfires were prepared. Musicians were hired, feast made ready.

Skrebensky was to come, arriving in the morning. Ursula had a new white dress of soft crepe, and a white hat. She liked to wear white. With her black hair and clear golden skin, she looked southern, or rather tropical, like a Creole. She wore no colour whatsoever.

She trembled that day as she appeared to go down to the wedding. She was to be a bridesmaid. Skrebensky would not arrive till afternoon. The wedding was at two o'clock.

As the wedding-party returned home, Skrebensky stood in the parlour at the Marsh. Through the window he saw Tom Brangwen, who was best man, coming up the garden path most elegant in cut-away coat and white slip and spats, with Ursula laughing on his arm. Tom Brangwen was handsome, with his womanish colouring and dark eyes and black close-cut moustache. But there was something subtly coarse and suggestive about him for all his beauty; his strange, bestial nostrils opened so hard and wide, and his well-shaped head almost disquieting in its nakedness, rather bald from the front, and all its soft fulness betrayed.

Skrebensky saw the man rather than the woman. She saw only the slender, unchangeable youth waiting there inscrutable, like her fate. He was beyond her, with his loose, slightly horsey appearance, that made him seem very manly and foreign. Yet his face was smooth and soft and impressionable. She shook hands with him, and her voice was like the rousing of a bird startled by the dawn.

"Isn't it nice," she cried, "to have a wedding?"

There were bits of coloured confetti lodged on her dark hair.

Again the confusion came over him, as if he were losing himself and becoming all vague, undefined, inchoate. Yet he wanted to be hard, manly, horsey. And he followed her.

There was a light tea, and the guests scattered. The real feast was for the evening. Ursula walked out with Skrebensky through the stackyard to the fields, and up the embankment to the canal-side.

The new corn-stacks were big and golden as they went by, an army of white geese marched aside in braggart protest. Ursula was light as a white ball of down. Skrebensky drifted beside her, indefinite, his old from loosened, and another self, grey, vague, drifting out as from a bud. They talked lightly, of nothing.

The blue way of the canal wound softly between the autumn hedges, on towards the greenness of a small hill. On the left was the whole black agitation of colliery and railway and the town which rose on its hill, the church tower topping all. The round white dot of the clock on the tower was distinct in the evening light.

That way, Ursula felt, was the way to London, through the grim, alluring seethe of the town. On the other hand was the evening, mellow over the green water-meadows and the winding alder trees beside the river, and the pale stretches of stubble beyond. There the evening glowed softly, and even a pee-wit was flapping in solitude and peace.

Ursula and Anton Skrebensky walked along the ridge of the canal between. The berries on the hedges were crimson and bright red, above the leaves. The glow of evening and the wheeling of the solitary pee-wit and the faint cry of the birds came to meet the shuffling noise of the pits, the dark, fuming stress of the town opposite, and they two walked the blue strip of water-way, the ribbon of sky between.

He was looking, Ursula thought, very beautiful, because of a flush of sunburn on his hands and face. He was telling her how he had learned to shoe horses and select cattle fit for killing.

"Do you like to be a soldier?" she asked.

"I am not exactly a soldier," he replied.

"But you only do things for wars," she said.

"Yes."

"Would you like to go to war?"

"I? Well, it would be exciting. If there were a war I would want to go."

A strange, distracted feeling came over her, a sense of potent unrealities.

"Why would you want to go?"

"I should be doing something, it would be genuine. It's a sort of toy-life as it is."

"But what would you be doing if you went to war?"

"I would be making railways or bridges, working like a nigger."

"But you'd only make them to be pulled down again when the armies had done with them. It seems just as much a game."

"If you call war a game."

"What is it?"

"It's about the most serious business there is, fighting."

A sense of hard separateness came over her.

"Why is fighting more serious than anything else?" she asked.

"You either kill or get killed---and I suppose it is serious enough, killing."

"But when you're dead you don't matter any more," she said.

He was silenced for a moment.

"But the result matters," he said. "It matters whether we settle the Mahdi or not."

"Not to you---nor me---we don't care about Khartoum."

"You want to have room to live in: and somebody has to make room."

"But I don't want to live in the desert of Sahara---do you?" she replied, laughing with antagonism.

"I don't---but we've got to back up those who do.

"Why have we?"

"Where is the nation if we don't?"

"But we aren't the nation. There are heaps of other people who are the nation."

"They might say they weren't either."

"Well, if everybody said it, there wouldn't be a nation. But I should still be myself," she asserted brilliantly.

"You wouldn't be yourself if there were no nation."

"Why not?"

"Because you'd just be a prey to everybody and anybody."

"How a prey?"

"They'd come and take everything you'd got."

"Well, they couldn't take much even then. I don't care what they take. I'd rather have a robber who carried me off than a millionaire who gave me everything you can buy."

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