Out Of The Running

She stood at the door, leaning against the wooden porch, with the long trailers of the honeysuckle framing her tall, slight figure. The great red sun was low in the west, its upper rim peeping over the low hills, shooting long, dark shadows from the beech-tree in the field, from the little group of tawny cows, and from the man who walked away from her. She smiled to see how immense the legs were, and how tiny the body in the great flat giant which kept pace beside him. In front of her in the little garden the bees droned, a belated butterfly or an early moth fluttered slowly over the flower-beds, a thousand little creatures buzzed and hummed, all busy working out their tiny destinies, as she, too, was working out hers, and each doubtless looking upon their own as the central point of the universe. A few months for the gnat, a few years for the girl, but each was happy now in the heavy summer air. A beetle scuttled out upon the gravel path and bored onwards, its six legs all working hard, butting up against stones, upsetting itself on ridges, but still gathering itself up and rushing onwards to some all-important appointment somewhere in the grass plot. A bat fluttered up from behind the beech-tree. A breath of night air sighed softly over the hillside with a little tinge of the chill sea spray in its coolness. Dolly Foster shivered, and had turned to go in when her mother came out from the passage.

"Whatever is that Bill doing there?" she cried.

Dolly looked, and saw for the first time that the nameless farm-labourer was crouching under the beech, his browns and yellows blending with the bark behind him.

"You go out o' that, Bill!" screamed the farmer's wife.

"What be I to do?" he asked humbly, slouching forward.

"Go, cut chaff in the barn." He nodded and strolled away, a comical figure in his mud-crusted boots, his strap-tied corduroys and his almond-coloured skin.

"Well, then, you've taken Elias," said the mother, passing her hand round her daughter's waist. "I seed him a-kissing your flower. Well, I'm sorry for Adam, for he is a well-grown young man, a proper young man, blue ribbon, with money in the Post Office. Still some one must suffer, else how could we be purified. If the milk's left alone it won't ever turn into butter. It wants troubling and stirring and churning. That's what we want, too, before we can turn angels. It's just the same as butter."

Dolly laughed. "I have not taken Elias yet," said she.

"No? What about Adam then?"

"Nor him either."

"Oh, Dolly girl, can you not take advice from them that is older. I tell you again that you'll lose them both."

"No, no, mother. Don't you fret yourself. It's all right. But you can see how hard it is. I like Elias, for he can speak so well, and is so sure and masterful. And I like Adam because--well, because I know very well that Adam loves me."

"Well, bless my heart, you can't marry them both. You'd like all the pears in the basket."

"No, mother, but I know how to choose. You see this bit of a flower, dear."

"It's a common dog-rose."

"Well, where d'you think I found it?"

"In the hedge likely."

"No, but on my window-ledge."

"Oh, but when?"

"This morning. It was six when I got up, and there it lay fresh and sweet, and new-plucked. 'Twas the same yesterday and the day before. Every morning there it lies. It's a common flower, as you say, mother, but it is not so common to find a man who'll break short his sleep day after day just to show a girl that the thought of her is in his heart."

"And which was it?"

"Ah, if I knew! I think it's Elias. He's a poet, you know, and poets do nice things like that."

"And how will you be sure?"

"I'll know before morning. He will come again, whichever it is. And whichever it is he's the man for me. Did father ever do that for you before you married?"

"I can't say he did, dear. But father was always a powerful heavy sleeper."

"Well then, mother, you needn't fret any more about me, for as sure as I stand here, I'll tell you to-morrow which of them it is to be."

That evening the farmer's daughter set herself to clearing off all those odd jobs which accumulate in a large household. She polished the dark, old-fashioned furniture in the sitting-room. She cleared out the cellar, re-arranged the bins, counted up the cider, made a great cauldron full of raspberry jam, potted, papered, and labelled it. Long after the whole household was in bed she pushed on with her self-imposed tasks until the night was far gone and she very spent and weary. Then she stirred up the smouldering kitchen fire and made herself a cup of tea, and, carrying it up to her own room, she sat sipping it and glancing over an old bound volume of the _Leisure Hour_. Her seat was behind the little dimity window curtains, whence she could see without being seen.

The morning had broken, and a brisk wind had sprung up with the dawn. The sky was of the lightest, palest blue, with a scud of flying white clouds shredded out over the face of it, dividing, coalescing, overtaking one another, but sweeping ever from the pink of the east to the still shadowy west. The high, eager voice of the wind whistled and sang outside, rising from moan to shriek, and then sinking again to a dull mutter and grumble. Dolly rose to wrap her shawl around her, and as she sat down again in an instant her doubts were resolved, and she had seen that for which she had waited.

Her window faced the inner yard, and was some eight feet from the ground. A man standing beneath it could not be seen from above. But she saw enough to tell her all that she wished to know. Silently, suddenly, a hand had appeared from below, had laid a sprig of flower upon her ledge, and had disappeared. It did not take two seconds; she saw no face, she heard no sound, but she had seen the hand and she wanted nothing more. With a smile she threw herself upon the bed, drew a rug over her, and dropped into a heavy slumber.

She was awakened by her mother plucking at her shoulder.

"It's breakfast time, Dolly, but I thought you would be weary, so I brought you lip some bread and coffee. Sit up, like a dearie, and take it."

"All right, mother. Thank you. I'm all dressed, so I'll be ready to come down soon."

"Bless the gal, she's never had her things off! And, dearie me, here's the flower outside the window, sure enough! Well, and did you see who put it there?"

"Yes, I did."

"Who was it then?"

"It was Adam."

"Was it now? Well, I shouldn't have thought that he had it in him. Then Adam it's to be. Well, he's steady, and that's better than being clever, yea, seven-and-seventy fold. Did he come across the yard?"

"No, along by the wall."

"How did you see him then?"

"I didn't see him."

"Then how can you tell?"

"I saw his hand."

"But d'you tell me you know Adam's hand?"

"It would be a blind man that couldn't tell it from Elias' hand. Why, the one is as brown as that coffee, and the other as white as the cup, with great blue veins all over it."

"Well, now I shouldn't have thought of it, but so it is. Well, it'll be a busy day, Dolly. Just hark to the wind!"

It had, indeed, increased during the few hours since dawn to a very violent tempest. The panes of the window rattled and shook. Glancing out, Dolly saw cabbage leaves and straw whirling up past the casement.

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