VIII. The Immortal Child

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Rather the hint here and there of color discrimination in England aroused in him deeper and more poignant sympathy with his people throughout the world. He was one with that great company of mixed-blooded men: Pushkin and Dumas, Hamilton and Douglass, Browning and many others; but he more than most of these men knew the call of the blood when it came and listened and answered. He came to America with strange enthusiasm. He took with quite simple and unconscious grace the conventional congratulations of the musical world. He was used to that. But to his own people—to the sad sweetness of their voices, their inborn sense of music, their broken, half-articulate voices,—he leapt with new enthusiasm. From the fainter shadowings of his own life, he sensed instinctively the vaster tragedy of theirs. His soul yearned to give voice and being to this human thing. He early turned to the sorrow songs. He sat at the faltering feet of Paul Laurence Dunbar and he asked (as we sadly shook our heads) for some masterpiece of this world-tragedy that his soul could set to music. And then, so characteristically, he rushed back to England, composed a half-dozen exquisite harmonies haunted by slave-songs, led the Welsh in their singing, listened to the Scotch, ordered great music festivals in all England, wrote for Beerbohm Tree, took on another music professorship, promised a trip to Germany, and at last, staggering home one night, on his way to his wife and little boy and girl, fell in his tracks and in four days was dead, at the age of thirty-seven. They say that in his death-throe he arose and facing some great, ghostly choir raised his last baton, while all around the massive silence rang with the last mist-music of his dying ears.

He was buried from St. Michael's on September 5, 1912, with the acclaim of kings and music masters and little children and to the majestic melody of his own music. The tributes that followed him to his grave were unusually hearty and sincere. The head of the Royal College calls the first production of "Hiawatha" one of the most remarkable events in modern English musical history and the trilogy one of the most universally-beloved works of modern English music. One critic calls Taylor's a name "which with that of Elgar represented the nation's most individual output" and calls his "Atonement" "perhaps the finest passion music of modern times." Another critic speaks of his originality: "Though surrounded by the influences that are at work in Europe today, he retained his individuality to the end, developing his style, however, and evincing new ideas in each succeeding work. His untimely death at the age of thirty-seven, a short life—like those of Schubert, Mendelssohn, Chopin, and Hugo Wolf—has robbed the world of one of its noblest singers, one of those few men of modern times who found expression in the language of musical song, a lyricist of power and worth."

But the tributes did not rest with the artist; with peculiar unanimity they sought his "sterling character," "the good husband and father," the "staunch and loyal friend." And perhaps I cannot better end these hesitating words than with that tribute from one who called this master, friend, and whose lament cried in the night with more of depth and passion than Alfred Noyes is wont in his self-repression to voice:

"Through him, his race, a moment, lifted up
Forests of hands to beauty, as in prayer,
Touched through his lips the sacramental cup
And then sank back, benumbed in our bleak air."

Yet, consider: to many millions of people this man was all wrong. First, he ought never to have been born, for he was the mulatto son of a white woman. Secondly, he should never have been educated as a musician,—he should have been trained, for his "place" in the world and to make him satisfied therewith. Thirdly, he should not have married the woman he loved and who loved him, for she was white and the niece of an Oxford professor. Fourthly, the children of such a union—but why proceed? You know it all by heart.

If he had been black, like Paul Laurence Dunbar, would the argument have been different? No. He should never have been born, for he is a "problem." He should never be educated, for he cannot be educated. He should never marry, for that means children and there is no place for black children in this world.


In the treatment of the child the world foreshadows its own future and faith. All words and all thinking lead to the child,—to that vast immortality and the wide sweep of infinite possibility which the child represents. Such thought as this it was that made the Master say of old as He saw baby faces:

"And whosoever shall offend one of these little ones, it is better for him that a millstone were hanged about his neck and he were cast into the sea."

And yet the mothers and fathers and the men and women of my race must often pause and ask: Is it worth while? Ought children be born to us? Have we any right to make human souls face what we face today? The answer is clear: If the great battle of human right against poverty, against disease, against color prejudice is to be won, it must be won, not in our day, but in the day of our children's children. Ours is the blood and dust of battle; theirs the rewards of victory. If, then, they are not there because we have not brought them into the world, we have been the guiltiest factor in conquering ourselves. It is our duty, then, to accomplish the immortality of black blood, in order that the day may come in this dark world when poverty shall be abolished, privilege be based on individual desert, and the color of a man's skin be no bar to the outlook of his soul.

If it is our duty as honest colored men and women, battling for a great principle, to bring not aimless rafts of children to the world, but as many as, with reasonable sacrifice, we can train to largest manhood, what in its inner essence shall that training be, particularly in its beginning?

The first temptation is to shield the child,—to hedge it about that it may not know and will not dream of the color line. Then when we can no longer wholly shield, to indulge and pamper and coddle, as though in this dumb way to compensate. From this attitude comes the multitude of our spoiled, wayward, disappointed children. And must we not blame ourselves? For while the motive was pure and the outer menace undoubted, is shielding and indulgence the way to meet it?

Some Negro parents, realizing this, leave their children to sink or swim in this sea of race prejudice. They neither shield nor explain, but thrust them forth grimly into school or street and let them learn as they may from brutal fact. Out of this may come strength, poise, self-dependence, and out of it, too, may come bewilderment, cringing deception, and self-distrust. It is, all said, a brutal, unfair method, and in its way it is as bad as shielding and indulgence. Why not, rather, face the facts and tell the truth? Your child is wiser than you think.

The truth lies ever between extremes. It is wrong to introduce the child to race consciousness prematurely; it is dangerous to let that consciousness grow spontaneously without intelligent guidance. With every step of dawning intelligence, explanation—frank, free, guiding explanation—must come. The day will dawn when mother must explain gently but clearly why the little girls next door do not want to play with "niggers"; what the real cause is of the teacher's unsympathetic attitude; and how people may ride in the backs of street cars and the smoker end of trains and still be people, honest high-minded souls.

Remember, too, that in such frank explanation you are speaking in nine cases out of ten to a good deal clearer understanding than you think and that the child-mind has what your tired soul may have lost faith in,—the Power and the Glory.

Out of little, unspoiled souls rise up wonderful resources and healing balm. Once the colored child understands the white world's attitude and the shameful wrong of it, you have furnished it with a great life motive,—a power and impulse toward good which is the mightiest thing man has. How many white folk would give their own souls if they might graft into their children's souls a great, moving, guiding ideal!

With this Power there comes, in the transfiguring soul of childhood, the Glory: the vision of accomplishment, the lofty ideal. Once let the strength of the motive work, and it becomes the life task of the parent to guide and to shape the ideal; to raise it from resentment and revenge to dignity and self-respect, to breadth and accomplishment, to human service; to beat back every thought of cringing and surrender.

Here, at last, we can speak with no hesitation, with no lack of faith. For we know that as the world grows better there will be realized in our children's lives that for which we fight unfalteringly, but vainly now.

So much for the problem of the home and our own dark children. Now let us look beyond the pale upon the children of the wide world. What is the real lesson of the life of Coleridge-Taylor? It is this: humanly speaking it was sheer accident that this boy developed his genius. We have a right to assume that hundreds and thousands of boys and girls today are missing the chance of developing unusual talents because the chances have been against them; and that indeed the majority of the children of the world are not being systematically fitted for their life work and for life itself. Why?

 

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